He researched the classic stories of Shirley Jackson and Henry James in ‘The Haunting of Hill House’ and ‘The Haunting of Bly Manor’, respectively, andDirector Mike Flanagan highlights in his new series Netflix to a less holy writer: prolific Christopher Pike (pseudonym of Kevin McFadden) is the author of several dozen horror books for teens and children, most of which were published in Spain in the 1990s by Ediciones B.
Armed with screenwriter Leah Fong (‘Bly Manor’), Flanagan has set up a movie adaptation for herself. ‘The Midnight Club’, 1994Opened in homage to all of Pike’s work: an invitation to let you fear the ‘pulp’ fiction. Besides being another twist on ‘Another twist’, this is the same unifying tactic he followed in ‘Bly Manor’, which references other James stories.
The premise, a priori, is pain to the maximum. In the mid-nineties, A group of terminally ill teenagers, guests of the magnificent Brightcliffe Hospice, usually meet at midnight to tell each other. horror stories created by themselves and that they intentionally or unintentionally contain some clues about their personality. When Ilonka (Iman Benson) officially joins the club, learning about an old deal: The member of the deceased group must do the impossible to send a signal from beyond. In other words: to let you know that there is more.
But Ilonka came here with a plan to survive, to face her incurable cancer, and To investigate whether it is true that there have been miraculous healings at Brightcliffe.. Her roommate Anya (the enormous Ruth Codd), whose right leg is amputated to the knee, is less hopeful, and with her, it seems, is the last good bit of humor. Ilonka finds a greater connection (or even something cosmic) in leukemia patient Kevin (Igby Rigney). He also becomes good friends with ‘actor’ Amesh (Sauriyan Sapkota) or Spence (Chris Sumpter), who is diagnosed with HIV, whose biggest regret in his life is knowing he can’t try the PlayStation. Rounding out the club are the introvert Natsuki (Aya Furukawa), the devout Sandra (Annarah Cymone), and the liar, or to some, Cheri (Adia).
Both Rigney and Cymone may be familiar with ‘flanagatics’ (a club with Quentin Tarantino as a VIP member): they’ve both appeared in their previous series ‘Midnight Mass’, just like the main character Zach Gilford and nurse to the kids here, or Samantha Sloyan is the worst villain out there and here is a mysterious naturopath who is haunting the place. We were in or out of the Flanagan universe longer without seeing Heather Langenkamp, the original ‘last daughter’ of ‘A Nightmare on Elm Street’. After watching his own teenage son succumb to the disease, Dr. Seeing the bawdy and charismatic incarnation of Stanton, it’s easy to start thinking about Hollywood whims, who makes a career and who doesn’t, why sometimes people are good and bad. .
an unexpected mood
‘The Midnight Club’ has the director’s characteristic melancholy (it revolves, after all, around children who are going to die), but the variety of stories adapted is a tribute to Flanagan and his team of directors. sometimes play with various subgenres within the same episode. Stories within these stories can be explorations of mechanisms of suspense and terror, as in the fun chapter around ‘jump scares’. Where had this funny Flanagan gone? The series’ biggest mystery, at least during the opening yawn, is knowing. How did he manage to combine regular humorous blows without any falling on deaf ears?. ‘Midnight Club’ can be downright funny.
However, when it comes time to get scary (these visions from beyond the grave, so inexplicable and intense at first), the ‘Oculus’ director doesn’t cut hair. Audiences over the age of eighteen can approach without fear (or fear of being scared). After all, this isn’t exactly a teen drama, but a universally entertaining one with young main characters: ‘Under the Same Star’ 90’s TV series ‘Are You Afraid of the Dark?’ with a dark transition, here… Published as ‘The Midnight Club’..
Source: Informacion
