TV presenter and blogger Victoria Bonya opened up about the tense exchange with Ksenia Sobchak during an interview conducted by Sergei Kosenko. In Bonya’s retelling, the remarks about her appearance seemed to stem from envy rather than critique. She described a pattern: Sobchak highlights Bonya’s photos on his Telegram channel every day, then reacts with laughter, almost as if lighting up a private joke about her. Bonya asserted that Sobchak was fully focused on turning a personal jab into a spectacle, suggesting that Sobchak struggles to process someone else’s success.
Bonya further framed the behavior of those who publicly disparage her as a reflection of their own dissatisfaction. She offered a pointed rebuttal to Sobchak’s claim that Bonya bought Cannes Film Festival tickets and skipped the event for personal reasons. Bonya stood firm on her record, insisting that over the past decade she has earned Cannes appearances through merit and consistent professional effort, not through luck or deceit. Her stance implied a broader truth about the industry: fame can be a magnet for misinterpretation, and persistence often goes underacknowledged in the gossip cycle. The comment about Cannes became, for Bonya, a test case for how public narratives shape a person’s reputation even when the facts are clear and earned over years of work.
Reflecting on her career trajectory, Bonya highlighted the variety of international collaborations that have defined her path. She noted that her image has graced photos in multiple high-profile settings, from fashion shoots to appearances across Monaco and beyond. These credits, she argued, are not incidental; they represent networks and partnerships built over many years in the industry. While some observers may label her simply as a Russian model or TV presenter, Bonya emphasized that her professional identity is more nuanced. She has been involved in several film projects, and while opinions about titles differ, she maintains that these roles contribute to a broader professional portfolio. The underlying message she conveyed is that public perception often undervalues the breadth of a person’s experience and achievements, especially when the narrative is framed by critics who prefer to simplify complex careers.
Despite the heated comments directed her way, Bonya made clear that there is no intention to retaliate against Sobchak personally. She stressed that the current exchanges should not escalate into personal feuds. Her focus remained on her work and on continuing to build a presence that reflects her long-standing contributions to television, film, and brand collaborations. The interview underscored Bonya’s belief in resilience and ongoing professional development, rather than dwelling on online disputes. The interview with Sergei Kosenko captured a moment where public discourse, career history, and personal pride intersect, offering readers a portrait of an artist who chooses to respond with measured, forward-looking statements rather than reactive hostility. (Source: Victoria Bonya comments in an interview with Sergei Kosenko).