There had long been whispers that Venom 3 would shoot in Alicante, with extras being sought for the blockbuster co produced by Marvel Entertainment, Sony Pictures, and Columbia Pictures. Filming for the third installment was scheduled to begin in late January and stretch through February, with several days of production planned within those dates. The project was slated to use Ciudad de la Luz as a key location, while additional Alicante sites were being considered for exterior sequences that would be finalized in due course.
Generalitat gives management of Ciudad de la Luz to multinational MBS Group
Malaga’s respected casting agency Modexpor was tapped to organize the shoot. While officials did not confirm Venom 3, they began assembling extras for a high-profile international production. The agency stated that it was seeking people of all ages, starting at 18, who were in good physical condition. This aligns with the casting approach for a major global film and underscores the scale of the production being pursued.
Prospective participants were invited to complete a survey on Modexpor’s site to join the extras pool. The form requested personal details along with some physical measurements such as height, weight, and body measurements.
Among the requirements listed were residence within the Alicante province and no visible tattoos. If a tattoo could not be concealed, applicants were asked to submit photos to assess size and coverability. This is particularly relevant given the summer shooting window. The casting team also noted that a DNI/NIE photo on both sides would be required, along with two specific photographs. To minimize the need for selfies, they advised enlisting a friend’s help. Photos should feature a neutral background, preferably white, with one bust shot taken horizontally and a full-body shot taken vertically under good lighting. Accessories like glasses, hats, or caps should be avoided, and filters that could distort appearance should not be used.
Languages
Even though extras typically do not deliver dialogue, Modexpor suggested some English familiarity would be advantageous since the production is in English. A basic understanding of the language could help extras follow the narrative flow and cues on set, which is particularly helpful for non-native speakers who may be part of the crowd scenes.
There was also emphasis on diversity. The production, rooted in American cinema with multicultural aims, planned to cast extras from varied ethnic backgrounds to reflect a broad spectrum of audiences. This commitment to representation was highlighted as a cornerstone of the shooting plan.
Fee according to contract
Compensation for Alicante extras was described as aligning with the official agreement. An eight-hour workday, plus a rest hour, would yield a gross wage of 57 euros. The maximum daily shoot length was set at 12 hours, including a rest period, with gross compensation up to 103.36 euros for longer days. There was also mention of a wardrobe fitting that could carry a gross cost of 22.42 euros, added to the payslip if conducted, though its necessity remained unconfirmed.
Modexpor’s experience includes recruiting extras for other projects, both locally and internationally, including productions such as Snow Community, Sherry, Game of Thrones, Dragon House, Killing Eve, Black Mirror, and various international advertisements.
New footage
Carlos Mazón, president of the Generalitat, indicated a commitment to allocating space at the Alicante Forum and attended a recent meeting. He announced that new footage would soon be worked on in Ciudad de la Luz and expressed pride in advancing Berlanga’s dream, which some had opposed. The broader context saw the Generalitat Valenciana formalize a partnership with the American multinational MBS Group, behind projects like Avatar 2 and The Mandalorian, with a substantial five-year investment plan. The arrangement included a marketing share of 6.5% and a stated goal of boosting Alicante’s audiovisual ecosystem.
The broader plan aimed to benefit an entire cultural and creative economy, including makeup artists, costume teams, technicians, and other professionals who contribute to the industry. There was also chatter about potential announcements regarding the City of Light project as part of the ongoing developments observed at Fitur and within the regional strategy for cultural growth.