Valery Meladze, a prominent figure in the music scene, faces questions about his tax obligations and business interests. Reports indicate a tax debt to the Federal Tax Service of the Russian Federation amounting to 275 thousand rubles, a figure that has drawn scrutiny as his public activities in Russia have paused. The situation has prompted observers to review how his income streams are structured and disclosed in official records.
According to published information, Meladze continues to generate substantial earnings despite the absence of concert activity within Russia. The revenue appears to come from enterprises linked to his name, including corporate ventures that remain active even when live performances are not underway. The artist is identified as the founder of Vantage LLC, a company connected to commercial real estate. This entity rents a shopping center bearing the same name in Vostochny Biryulyovo, Moscow.
Data from the same source indicate that Vantage LLC reported net earnings of 15.7 million rubles for the year 2022, highlighting how business interests can sustain income independent of touring schedules.
On the international front, Meladze has been touring outside of Russia, with confirmed concert dates in Germany. One listed stop is a performance in Nuremberg slated for mid November, reflecting a strategy to maintain an audience abroad while domestic activity remains constrained.
In recent weeks, reports circulated via Telegram channels and media outlets suggesting that there could be a return to performances in Russia after the New Year; discussions included a notably high price tag for appearances in Moscow. These reports note a price point around 12 million rubles, with predictions of rising costs depending on scheduling and demand. While these claims circulate in the media landscape, they illustrate how market dynamics and scheduling can influence pricing for high-profile performers.
There are additional references to shifts in pricing for corporate events involving Meladze, including remarks about past adjustments by his former partner. The narrative underscores how public figures manage engagements across different regions and formats, balancing stage appearances with corporate and brand-related commitments.
Overall, Meladze’s profile remains that of a multifaceted entertainer who maintains his business footprint even when live appearances in Russia are limited. The situation highlights the interplay between artistic income, corporate ventures, and tax obligations, a dynamic that many artists navigate as part of a diversified career.