In the eighth episode of the fourth season of NTV’s Mask, a notable moment unfolded as a participant wearing a Skunk costume was declassified. The plot thickened when Valeria’s daughter emerged as the singer Shena, revealing a surprising family connection that left the audience and judges buzzing. Throughout the episode, the competing costumes included a Caterpillar and an Ermine. The crowd showed clear support for the Caterpillar, while the judges orchestrated a pivotal challenge, requesting that the Skunk reveal their true identity. This moment became a focal point of the show, highlighting the tension between stage mystery and personal recognition.
Speculation swirled among the judging panel long before any unmasking. Philip Kirkorov proposed that Olga Seryabkina might be the person inside the Skunk costume, a theory that stirred lively discussion. Regina Todorenko offered a different possibility, suggesting that Mia Boyka could be concealed beneath the mask. Timur Rodriguez weighed in with another voice, sensing the voice of the singer Elka behind the Skunk’s disguise. Yet Valeria, who carries a personal history with the project, intuited differently. She believed that her own daughter was hiding within the Skunk’s persona, specifically behind the mask worn by producer Alexander Shulgin. Alexey Vorobyov joined the conversation, echoing Valeria’s deduction and proposing Shena as the masked performer.
The moment carried emotional weight beyond mere guessing. Valeria admitted that her instincts overwhelmed her, and she asked the panel to reveal the mask not as a rival competitor but as a daughter. “I lost myself and asked you to open the mask. I didn’t know how to proceed. I’m sorry,” she confided, revealing the personal stakes involved. Shena responded with grace, thanking her mother and stating that leaving the project had not caused her regrets. The exchange underscored the tension between familial bonds and competitive performance that sneakers through the show’s dramatic core.
Earlier in the season, in the seventh episode of the same fourth season, the judges reached a similar conclusion by declassifying another participant. The Raven costume came off, and the singer Vanya Dmitrienko emerged, confirming a dramatic turn of events that kept viewers glued to the screens. The pattern of declassifications this season demonstrates how the show balances intrigue with genuine musical discovery, while also weaving in real-world relationships and reputations that enrich each unmasking.
The season has unfolded with a blend of suspense, humor, and discovery. Each unmasking serves not only as a test of vocal talent but also as a reveal of identity that reshapes the audience’s understanding of the contestants. The Skunk’s unmasking, when it finally occurs, is anticipated as a moment of high emotion—an event that could redefine the viewer’s perception of the competition. The dialogue among judges, the audience’s reactions, and the personal narratives of the performers all contribute to a layered experience that transcends a simple guessing game. In this sense, Mask is not only a spectacle of costume and voice but also a stage where personal stories intersect with televised performance, creating a memorable chapter in the series that fans will discuss for years to come. [citation needed]
Overall, the eighth episode stands as a testament to the show’s ability to mix mystery with meaningful human connections. The confirmation that Shena is Valeria’s daughter adds a personal dimension that resonates with viewers, turning a televised competition into something more intimate and emotionally charged. This blend of public performance and private life makes the fourth season a compelling voyage through identity, art, and family ties, where every unmasking carries significance far beyond the music itself. The episode closes with a sense of await-continued anticipation for the next reveal, as audiences in Canada and the United States tune in to witness who will step out from behind the masks next. [citation needed]