The journey on the “When Now” tour has been unfolding with a steady, invigorating rhythm. After nearly two months on the road, the sense of momentum remains strong. Audiences respond with a palpable energy that matches the forward push of the tour, and venues—while larger than in recent years—accommodate the growing scale without dampening the excitement. The front row atmosphere is electric again, and the concert energy that felt absent last year has returned with a confident, loud resonance that keeps the performances buzzing from start to finish.
Landing back in Extremadura, the crew touches down in Badajoz and prepares for a show that carries a special weight. The locals’ long-standing connection to Extremoduro adds a layer of reverence to the moment, and there is a shared expectation that this performance will be memorable. The crowd’s anticipation seems to mirror the band’s own sense of purpose, hinting at a night that will be remembered well after the last encore.
On the question of whether there is a desire to return, the crew offers a grounded, thoughtful perspective. Behind the scenes, a comfortable, expansive dressing room sets the tone for a balanced set. The plan weaves together the band’s current mood with a respect for its roots. The repertoire blends songs from Robe’s early works with the Mayéutica project in full, and there is room for Classics from Extremoduro to surface now and then. Those older tunes carry weight and nuance, and the group does not shy away from them. Yet the newest material tends to lead the show, especially when the crowd responds with energy that matches the band’s latest explorations.
Do fans know more of the older lyrics than the newer ones is a question heard often. The gap between traditional staples such as Salir, Jesucristo García, and Puta and the newer material persists, but Mayéutica remains deeply cherished. Audiences sing with heartfelt emotion, proving that the older songs anchor a large part of listeners’ personal soundtracks while the newer compositions ignite momentum and showcase artistic evolution. The balance between eras feels deliberate, creating a dynamic live experience that honors history while embracing growth.
With roughly four dozen shows on the docket, the tour’s endurance through a post-pandemic world is tested but resilient. Physically, long tours pose a challenge, especially with a schedule that demands constant travel and frequent back-to-back performances. At sixty, routines shift, and the body requires more care. Yet the ensemble maintains a pace that feels sustainable, prioritizing rest and energy on stage. The result is performances that land with heightened clarity and stamina, proving that the road can be navigated with thoughtful planning and disciplined preparation.
When comparing the robe of today with the one from twenty or thirty years ago, there is clear evolution. Change is a given in the ever-shifting musical landscape, and the approach is to stay curious, to experiment, and to push new directions while staying anchored in what first drew listeners to the music. The aim is to honor the original voice while inviting fresh textures, new textures, and unexpected turns that keep the music alive and resonant for audiences who carry the songs with them long after the show closes.
Looking ahead, the dream is not a checklist of milestones but a desire for steady presence, ongoing creation, and the simple joy of sharing new songs live. Fresh material is poised for an album next year, and the current composing phase feels rewarding, offering momentum and purpose. The sense is that the work will continue to expand the expressive reach without compromising the core spirit that connects with listeners on a personal level.
A message for the people of Badajoz is simple: may they savor the moment and experience something genuinely memorable. The night is designed to be a shared journey, a night that lingers in memory long after the final chord has faded into silence, leaving a mark that fans will carry forward into the next chapter of the tour and beyond.