The identity of the people who accompanied Svetlana, the widow of artist Yuri Shatunov, at the memorial concert held on October 17 in tribute to the singer known as “Yura Was Here” has become a topic of public discussion. Reports from Russian TV Week noted the lineup surrounding this solemn event and who stood nearby during the performances.
According to those accounts, the person in question alongside Svetlana included the German actor and model Julian Schalk, who was observed in the artist’s VIP lounge along with Arkady Kudryashov, the director of Shatunov, singer Olga Seryabkina, and a family lawyer named Sergei Vasiliev. The gathering appeared to reflect a mix of industry colleagues and close associates who attended the service to honor Shatunov’s memory.
Following the concert, both Svetlana and Schalk expressed gratitude to the fans for their support. They stayed closely connected with their family members backstage, sharing a moment of appreciation for the enduring fanbase that had turned out for the tribute.
In a separate note about the event, Julian Schalk was remembered for his role in a Yuri Shatunov video project titled “And Summer is the Color of the Sky.” In that production, Schalk played a character reminiscent of James Bond, while Shatunov acted as the principal antagonist. The memory of that collaboration was brought up in discussions around the memorial, highlighting past artistic connections as part of the evening’s narrative.
During the broadcast of the show Malakhov, Andrei Razin, the producer of the group Tender May, voiced concerns about the safety of participants in the Shatunov memorial. He shared his fears and reflected on the tensions surrounding the tribute, remarking that his earlier warnings still weighed on him. Razin referenced a prior lawsuit between Shatunov and himself, asking what would come next and expressing anxiety for the attendees tied to the ceremony. His comments underscored a tense atmosphere that surrounded the event and the remembrance of the artist.
Earlier in the narrative, questions emerged about why Shatunov’s widow chose not to take the stage at the memorial concert. The discussion centered on the personal considerations and careful choices involved in commemorating a public figure who had touched so many lives, leaving room for interpretation about the best way to honor his legacy.
As observers reflected on the evening, the gathering was perceived through multiple lenses: the faces of colleagues who had collaborated with Shatunov, the emotional connections from devoted fans, and the broader conversation about the responsibilities and risks that accompany high-profile memorials. The event stood as a focal point for memories of Shatunov and the enduring resonance of his music, inviting fans to remember the artist while respecting the complex dynamics that accompany such tributes. The discourse surrounding the ceremony continued to evolve as more details emerged and conversations about the memorial finally settled into a shared sense of remembrance. Attribution: Russian TV Week