In discussions reported by MK.ru, Anita Tsoi explained that a group of like-minded artists chose to cancel the touring production Necklace of Russia in light of the Crocus City Hall tragedy. The decision came despite the fact that the terrorist attack had occurred at a major concert venue and just days before the group’s scheduled appearance. Tsoi emphasized that the focus remained on safety and on honoring the resilience of audiences, rather than revealing any fear in the face of violence. The stance underscored a broader principle: art can endure disruption without surrendering its message or the commitment to performing for the public, especially when communities need uplifting the most. (Source: MK.ru)
Tsoi noted that she would continue to perform, but she would also reassess the repertoire to ensure it aligned with heightened security realities at live events. The artist conveyed that a balance would be sought between artistic responsibility and practical precautions. The message to fans was clear: the performances would go on, albeit with adjustments that reflect the gravity of recent events. The aim was to support the public’s fighting spirit rather than allow intimidation to dictate cultural life. The argument for not canceling the musical was anchored in a belief that shared cultural experiences—music, performance, and collective memory—play a vital role in communal strength during difficult times.
According to Tsoi, the touring company had prepared for the event for a full year and would be traveling from across the country. Parents and performers alike were committed to making the journey, even though the usual parade-like public spectacle in front of the Crocus City Hall would be scaled back due to safety concerns. The artist’s remarks highlighted that ensuring the safety of hundreds of participants and spectators necessitated adjustments that could affect the ceremonial aspects of the show while preserving the core performance.
On the security front, Tsoi announced concrete steps designed to bolster protection at the venue. These measures include closer coordination with national security authorities, the establishment of a rapid-response team, and an expanded presence of guards equipped to respond quickly to any threat. The plan reflected a proactive approach to risk management at large gatherings, recognizing that the audience’s sense of safety is essential to a successful performance.
The Crocus City Hall incident occurred on March 22, when gunmen entered the venue during an event and opened fire on attendees. Russian investigators opened a criminal case under the terrorism article, signaling the seriousness with which authorities are treating the attack and the ongoing effort to bring perpetrators to justice. The case has prompted ongoing public and industry discussions about safety protocols at concerts and how to safeguard cultural events without dampening the experience for fans.
Previously, another artist, Ponarovskaya, chose to postpone a concert in response to the Crocus attack, illustrating a broader spectrum of reactions within the performing arts community as organizers weigh safety, artistic priorities, and public expectations in real time. (Source: MK.ru)