The news hit hard among loyal followers. Overnight, Second announced their farewell on social media this Sunday, a moment sung with bittersweet emotion that echoed the band’s own lyric, impossible flowers, as their final album carries the title Nothing is eternal.
Before the album dropped, interviews with Jorge Guirao and Nando Robles spoke with confidence. Sean Frutos could not be reached for comment, despite earlier attempts. Just four days earlier, the group posted that they were ready for upcoming concerts, and the new tour looked promising. The big question lingered: why choose to end after delivering one of their strongest records and weathering the pandemic with optimism? The reasons remained elusive.
The reporter tried repeatedly and only found cold voicemail messages, as if the band had vanished. In frustration, contact was made with Santi at Music Republic, a firm known for handling major acts in the country. Santi offered little detail, noting only that a meeting would take place the next day and that an official statement would come after a short delay. The morning unfolded with a flurry of calls, texts, and emails from other media all trying to decipher the situation. Social networks buzzed with messages of support and skepticism, fans and rivals trading accusations and flags of respect alike. The emotion was palpable.
With Sean, Jorge, Nando, and Fran unreachable, the farewell message was revisited: Nothing is eternal, except for twenty-five years of music and the love poured into fans. The statement hinted at a final tour meant to say a heartfelt thank you to those who stood by them. It suggested a deliberate parting, with a pledge to channel all passion into the last dates. The band’s trajectory, rooted in a strong live presence, left a meaningful legacy for many groups that followed. In the wake of the announcement, dozens of fans and fellow artists such as Viva Sweden, Izal, Dorian, Rufus T. Firefly, Varry Brava, Niños Mutantes, and Arde Bogotá mourned the departure while celebrating the imprint Second left behind. — fan and press reactions
The group would not fade away easily; the final nine-track album would stand as their last studio project, with a single live recording planned. A concert was slated at Teatro Circo Price in Madrid for January 28, with a prior stop at Teatro Circo de Albacete on October 22. While Murcia lacked a fixed date, two performances had already filled Romea this year. When asked about a potential Murcia farewell, the response hinted that any goodbye would come on their own terms, not as a forced departure. The layoff surprised many, and the office’s rapid schedule adjustments underscored the seriousness of the move.
A breath of fresh air
Even amid shock, Impossible Flowers offered a sense of renewal. The songs grew lighter, breathing new energy into Second as they celebrated a twenty-fifth anniversary in style with a remarkable album produced under challenging conditions. Manuel Cabezalí and Víctor Cabezuelo from Rufus T. Firefly joined the creative process, guiding the band toward uncharted paths and fresh textures. The nine tracks reveal maturity and a successful balance between experimentation and the band’s core voice. The process was described as a period of learning, exploration, and a fearless embrace of new musical directions that left enduring memories. — interview notes
From the early confinement period in Mazarrón, the group built a collaborative energy that reshaped the album. Only one of the songs originally contributed by the band remained on the final record, a choice that sparked debate within the group. Sean’s solo drive and the Guirao brothers’ conviction anchored the project, with Impossible Flowers seen as the backbone of the album, even though it arrived last. The two principal songwriters, Jorge and Sean, are known for a powerful chemistry. Nando often reflects that there are two options when facing adversity: either sink or strive to move forward. The team pursued personal development through the album, believing there is always a way out. Jorge adds that the project faced internal fears and celebrated the courage to try new things, which could yield remarkable outcomes. — band interviews
There is a palpable tension between passion and endurance, a question about whether the flame still burns as brightly as before. Surviving twenty-five years in a demanding scene tests rivals and fans alike. The group faced unknowns with the album’s release, and the reasons for the drastic decision will unfold in days to come. From Creajoven to private life, the band has shown honesty, generosity, and resilience. They stand among the most influential live acts in their region, and their work has inspired many rising groups. Their impact extends beyond national borders, with notable success and recognition abroad, including a prominent prize at a London event in December that underscored their global reach. — press and awards notes
For those who witnessed Second from their earliest days, the band’s perseverance and talent were evident as they crafted a hometown sound with international appeal. They’ve carved a space where their music resonates with a wide audience, and their legacy continues to influence many Murcian artists. A festive memory sits alongside hard-won success, a nod to a unique journey that began with a spark of creativity and matured into a lasting cultural moment. The London triumph and the broader reception around the world reflect the breadth of their appeal and the enduring strength of their artistic voice.
“A second family. Twenty-five years later, it is hard to imagine life without Second,” Nando recently shared, underscoring a farewell after a quarter-century of albums and performances. The group leaves behind nine official records and a career that has gracefully unfolded from intimate venues to global stages. Their name and their songs, including the line about feeling a void that is still worth it, will be remembered as part of a vibrant chapter in contemporary Spanish music.