Sasha Teslond, whose birth name is Alexander Popov, recently opened up about what life in Paris costs on a revealing chat with a TikTok project known as “A gun.” The exchange sheds light on the financial realities of living in one of Europe’s most expensive capitals and uncovers how a creator balances ambition with daily expenses in a foreign city.
According to Teslond, the monthly outlay in Paris sits above the city’s average, landing in a range that many expatriates would recognize as substantial yet plausible for a life filled with cultural events, dining experiences, and ongoing housing commitments. He estimated the monthly budget in the six- to seven-hundred-thousand ruble zone, a figure that reflects not only rent but a wider pattern of living that prioritizes high-quality experiences and convenient access to amenities.
Rent in France, Teslond noted, remains a significant portion of that spending. With prices that reflect a thriving urban economy, housing costs often dictate how much is available for other discretionary choices. The creator highlighted that Paris is a city where financial planning is essential, because even routine activities like meals outside the home or tickets to performances can add up quickly over a month. The emphasis, he implied, is on sustaining a lifestyle that blends productivity with pleasure, all while navigating the higher cost of living abroad.
Teslond moved to France in 2022 to attend university, an experience that carried a price tag of about 700 thousand rubles for studies. Roughly a year later, he returned to Moscow, noting that living across two homes—one in Russia and one in Paris—could be exhausting. The twin-home setup presented practical challenges, from travel logistics to managing different regulatory environments, and the fatigue of maintaining a split life weighed on him as a real, tangible burden.
Born in Kaliningrad in 2004, Teslond has become a public figure connected with another online creator, Lisa Barashek, whom he has dated since 2021 and formalized their relationship in September of 2023. The pair’s relationship, much like Teslond’s international lifestyle, has drawn attention for its modern, transnational flavor, illustrating how social media careers can intersect with personal milestones even across borders.
In recent times there has been curiosity about the future projects and the evolution of a creator’s persona. A question that often arises is how long a community or audience is willing to follow someone through shifts in residence, careers, or creative formats. The tale of Teslond—his move between continents, his studies, and his ongoing presence online—offers a case study in audience engagement, personal branding, and the stamina required to sustain influence in a competitive digital landscape. The discussion also touches on the broader realities faced by creators who pursue education abroad and then decide how to allocate time, resources, and commitments as they navigate multiple cultures and markets.
The narrative of Teslond’s life, including his early beginnings in Kaliningrad and his current trajectory in the public eye, underscores the diversity of paths that online personalities may take. It also reflects how partnerships, education, and relocation can shape both professional opportunities and personal challenges, especially in an era where online visibility is closely tied to real-world decisions about housing, travel, and daily costs. Observers note that the balance is delicate and often requires adaptability, careful budgeting, and a willingness to reassess goals as circumstances change over time.
As for the social dynamic, Teslond and Barashek’s relationship has evolved alongside their careers. Their public timeline—dating since 2021 and formalizing their union in 2023—illustrates how personal narratives can become a component of online storytelling. Followers engage not just with the content but with the life that unfolds behind the scenes, including the practical aspects of maintaining a relationship while pursuing creative ambitions across different locales. The story serves as a reminder that online fame frequently intertwines with real-world decisions about where to live, how to spend, and whom to share one’s life with.
Beyond personal milestones, observers also glimpse lighter moments in Teslond’s world. For instance, there is occasional curiosity about how long it would take to recreate a beloved cinematic New Year’s tableau or to remember a quirky gift from a past project. These snippets provide a window into the playful side of a creator whose work spans more than a single platform, reminding audiences that behind every online persona lies a mosaic of hobbies, memories, and cultural references that resonate across borders. In this way, the narrative remains approachable and human, inviting fans to connect on multiple levels rather than through a single, polished image.
In sum, the journey of Sasha Teslond—his education in France, his monthly budget realities, his dual-residency life, and the evolving story with his partner—offers a vivid illustration of how contemporary content creators manage a life that is as much about experiences as it is about views and engagement. It is a tale of opportunity, adjustment, and the ongoing pursuit of a balanced, meaningful presence in a digital world that rewards authenticity and resilience.