Phenomenon footballsimolar
It became one of the best-selling collections of children’s literature of all time in Spain. The longest sentence in the world, nominated for Goya or Ivan’s dream, was written, directed and filmed within the state, including Ciudad de la Luz. A feverish wave of cinema, literature, and theater activity draws young audiences and adults alike without fear. The second adult novel, Rebellion of the good guys, won the 2023 Fernando Lara Award and is now in its fifth edition. The author will share this story about the power of pharmaceutical companies at the Maestral Literary Evenings in Alicante on Friday.
After that mother The series, which was adapted into the main Tramel series, continues the noir genre. Rebellion of the good guys. Why do you think there is so much dark literature and why do readers love it so much?
Let’s see, I think this literary fashion is cyclical. I’ve read detective novels my whole life. Patricia Highsmith stood out in college and became a favorite. I’ve written a lot, and it took time to reach this style because it commands respect. Yes, they are crime novels, but there’s no belief in formulas or explosions. For fans of crime fiction, there’s more to explore, though there are also weaker stories when the market runs hot.
Lawyers, detectives, a corrupt pharmacist, perhaps a double agent, and someone who chooses to do what’s right. Mix those elements and you get Rebellion of the good guys.
The novel arises from a need to talk about health and how care can be entrusted to a handful of large multinational companies. Pharmaceutical firms do great things for humanity but profit motives can threaten everyone’s well-being. When healthcare becomes a business and the primary aim is profit, something goes wrong. After six years of research and documentation, with much of it written in the final phase, many people working in the industry were interviewed. Their openness helped shape the story. It remains fiction, yet it is firmly anchored in real data, with names changed to protect privacy.
Indeed, the power and interests of pharmaceutical companies worry society, especially after Covid.
The narrative unfolds in 2018 and 2019, ending on the day Covid appeared in Spain. The author began the project long before and the characters never anticipate the outbreak, while readers sense the approaching storm. The writing pace shifted when the pandemic began; the author paused briefly and then continued, convinced that the moment could not be ignored.
Pharmaceutical companies are entities driven by profit. What steps should be taken to ensure their activities stay connected to society?
Governments and industry alike must introduce stronger, more transparent controls. Public accountability should not be optional. New drug approvals require thorough testing and clear disclosure of potential side effects. A trustworthy health system rests on safeguards that prevent a few from benefiting at the expense of many.
The novel suggests there are no clearly good or bad characters.
Exactly. The story lives in gray areas, where even the heroes carry shadows and the villains reveal human pain. Every character has a past that complicates their choices. Literature should provoke questions, inviting readers to search for answers within themselves.
“In any conflict, and we are having a terrible conflict right now, nothing is truly black or white.”
Speaking of conflicts, attention turns to the current state of war and its ethics.
In any clash, nothing is purely right or wrong. The era of networks shortens messages and diminishes nuance, yet every situation lies in shades of gray. Nuance matters, especially when perspectives clash and consequences ripple through many lives.
The novel earned a major award in 2023 and is now in a new edition. While some prizes lean toward literary prestige, others emphasize commercial appeal. What is your view?
Awards come in many forms. Recognition is welcome, whether it celebrates literary craft or wider appeal. The important thing is the work resonates, opens conversations, and invites readers to reflect on the world around them.
“We all know that some prizes celebrate literature more, while others highlight broader commercial appeal.”
Footballmolar, aimed at children and young readers, has become a touchstone. Do you believe writing for younger audiences is more difficult than for adults?
Change is constant. There isn’t a single genre that’s harder or easier; it’s about learning what each group needs. Twenty-four novels later, the author finds fresh motivation in every project. Footballsimolar has become part of the family, yet it still feels new and vibrant each time.
Are young adult novels still considered secondary literature?
Prejudices linger, but they don’t define the field. There is excellent literature for younger readers, and the writer is grateful to pursue what they love most in the world.
“When I write, the music should echo in my head like a melody. This is the most important aspect of the novel for me.”
With more background in cinema than novels, a Goya nomination is linked to the adaptation. What are your thoughts on screenplays versus novels?
Screenwriting is a team effort; a script serves as a road map for many moving parts. The novel, in contrast, stands as the beginning and the end. The way a scene is told matters as much as the events themselves. The musicality of writing should resonate in the writer’s head throughout the process.
Is there movement toward TV adaptation for Rebellion of the good guys?
There is talk and interest. The project is envisioned as a literary work first, yet the writer’s vivid style has attracted offers for a series. The prospect of bringing this story to life on screen is exciting, with a path that could begin soon.
Tomorrow’s premiere at Maestral Literature Evenings blends literature, gastronomy, and wine, echoing the novel’s themes.
The author imagines fusing two great passions—gastronomy and storytelling—on stage, a night that promises wonder. The Alicante experience has always been warm. Filming took place in the City of Light, with outdoor venues in Alicante and Elche, enriching the atmosphere and giving the work a vivid, tangible presence.