— What are the main differences between the new film adaptation and the Soviet cartoon? Is the general scenario still the same?
The dialogue centers on how the latest film preserves the core storyline found in the Soviet cartoon while leaning into a dramatic, contemporary sensibility. The creators acknowledge that while the backbone remains recognizable, the 21st-century version integrates heightened emotional stakes and modern motifs to keep the narrative engaging for today’s audiences. In essence, the adaptation respects the source material but reimagines the tone and pacing to resonate with a modern, Canada and United States audience without losing the familiar thread that fans expect.
— The production team believes the plot endures in its essence, yet the film leans more on the original cartoon for inspiration. Dramatic elements were amplified and contemporary relevance was woven in to capture contemporary sensibilities. The goal was to make the story feel timely while honoring the familiar framework.
— What was it like for an actor to take on the role of the Princess? How did this demand compare with previous parts?
The Princess presents a new kind of freedom compared to prior roles, markedly impacting her image and conduct. The performer describes the process as liberating, offering opportunities to experiment with fresh nuances. The experience was highly rewarding, and a genuine affection for the heroine emerged as the character was brought to life on screen.
— Did you ever consider acting in a musical film?
There was a clear intention to explore musical cinema a year before filming. The idea carried through because singing and dancing have long been passions. The chance to blend these talents into a single project was seen as a rare and thrilling artistic opportunity.
— How did the performer prepare to sing the princess’s songs on camera? Was a vocal coach involved?
Vocal training came from a life of singing rather than formal coaching for this specific role. The performer trained through a lifelong engagement with music, including a brief spell at music school in childhood. In addition to singing, there was significant work in dance, with both solo and ensemble rehearsals helping to shape performance in multiple scenes.
— What is it like to work with Troubadour actor Tikhon Zhiznevsky?
The partnership is described as outstanding, with Zhiznevsky regarded as a consummate professional and a sensitive collaborator. The two shared a strong, harmonious dynamic that made the collaboration enjoyable, and there is expressed openness to future projects together.
— How did Sergei Burunov’s portrayal of the King land with the team, based on trailer impressions?
Feedback points to an excellent fit. During preparation, the crew revisited the animated original repeatedly, extracting details that could be adapted for the live-action cast. The director is credited with guiding the project toward a faithful yet fresh portrayal, and the ensemble was praised for delivering strong performances across the board. A playful remark about the King’s image adds a light touch to the discussion, underscoring the actor’s willingness to embrace distinctive character traits.
— The cast included Maria Aronova (Atamansha) and Konstantin Khabensky (Detective). Does working with a seasoned group influence the shoot?
Working alongside experienced actors is described as a major advantage. The performer notes that veteran colleagues provide a live education, while also allowing room to observe and learn from their mastery. The presence of such talent fosters a productive, aspirational atmosphere on set.
— Were the constraints of period costumes, wigs, and heavy attire challenging to manage on set?
Historical productions come with their share of wardrobe challenges. The process of assembling and fitting outfits typically runs efficiently, but the physical feel of crowns and corsets is undeniable. The experience leaves a lasting impression, and a lighthearted note suggests a fond wish to wear a crown even beyond production.
— How does wearing a crown affect the sense of character on screen?
The crown is described as transforming, giving a tangible sense of the Princess’s reality and authority in the narrative. The experience feels authentic, reinforcing the character’s presence within the story.
— On the topic of musical films versus traditional stage musicals, would the performer seek more acting in musical cinema? Any favorites?
The performer shows a casual affinity for the musical genre, explaining a preference formed in childhood but acknowledging that current commitments limit attendance at theatre. A definitive favorite is not named, reflecting a broad appreciation for the form itself.
— Noting a recent music release, is there intent to pursue more musical work in the near term?
Plans remain open-ended, contingent on inspiration and opportunities. The singer’s recent release highlighted vocal strengths, reinforcing a readiness to engage in future musical projects when the right moment arises.
— Is dancing still a central part of life?
Dancing has always been part of the storyteller’s life, from street styles to ballroom and folk. Although filming schedules constrained practice in recent years, the performer remains committed to dance as a source of energy and creativity, aiming to keep it an active element moving forward.
— What does hosting a travel show reveal about the performer’s career and outlook?
Taking on a travel show opened new doors, offering a chance to broaden improvisation skills and to explore unfamiliar cities. The experience is described as a refreshing detour that fuels fascination with new cultures and places, aligning with a broader passion for learning and exploration.
— Are filming conditions during shoots generally comfortable, or do they present notable challenges?
Filming is not without difficulties. The need to overcome fears, particularly in adrenaline-inducing segments, is acknowledged. Even when the schedule gets intense, the personal satisfaction of travel and discovery provides a balancing perspective that keeps a positive mindset on return home.
— Which places have been visited during shoots?
During a recent summer, the production logged visits to Istanbul, Altai, Volgograd, and Kazan, revealing a dynamic backdrop for the film’s production and promotional activities.
— Why doesn’t the performer maintain a Wikipedia page or a high-profile social media presence, given a long acting career?
There is a preference for a quiet, less public online footprint. Rather than heavy social media engagement, the performer maintains a minimal public profile, focusing on meaningful work and personal time. The stance reflects a deliberate choice to keep life off the constant public gaze and to prioritize professional projects over online visibility.
— How is the current Russian cinema landscape influencing views on deeply rooted stories like The Boy’s Word and its comparable historical themes?
The performer notes limited exposure to recent episodes but recognizes the potential impact of the series as a powerful example of a period narrative. The approach promises a strong, thought-provoking portrayal of past events, with an emphasis on avoiding repetition of historical tragedies. The response hints at a shared cultural resonance and a belief in the project’s capacity to spark reflection among audiences.
— What about future admiration for returning to beloved characters or exploring new talents in ongoing projects?
Given the breadth of talent on display, the performer approves of exploring diverse roles and remains open to collaborations that challenge and inspire. The overall sentiment is one of gratitude for the acting journey and anticipation for future opportunities with equally remarkable performers.
— How do these questions show common threads across distinct projects like The Child’s Words, World, and Chewing Gum?
All three programs are recognized as distinct in genre and atmosphere, yet they share a common thread: the human experience in different historical moments. The narrative differences mirror shifts between eras, while undercurrents of friendship, resilience, and the complexity of growth connect them across time.