Rumors and court records point to a mounting financial pressure on producer Andrei Razin, with bailiffs reporting a debt approaching 300 thousand rubles. A Telegram channel known as Zvezdach has circulated this information, underscoring that the debt situation is still unresolved in the public eye.
According to the publication, Razin’s liabilities were confirmed at 256,088 rubles and 92 kopecks. The Tverskoy District Court issued the official decision detailing this amount. In addition, Razin faces a separate utility debt from April 2023 totaling 12,180 rubles and 20 kopecks, bringing the immediate financial obligations into sharper focus for the courts and creditors alike.
In a separate legal development from November 2022, the Fifth General Judicial Court in Pyatigorsk approved a ruling transferring the copyrights to the songs of the group Tender May to Yuri Shatunov, indicating that the rights to those compositions would pass to the singer’s family. Razin has continued to pursue an appeal, seeking relief from the Supreme Court of the Russian Federation as part of this ongoing copyright matter. (Citation: court records and press coverage referenced by Zvezdach.)
Further court action occurred in November 2023, when a hearing on the Tender May copyright dispute took place. The session was later postponed to December 4, with the court planning to determine the locations and statuses of other defendants, including producer Andrei Razin, entrepreneur Ruslan Filatov, and World Media Alliance Label Inc. (Citation: court docket and public statements from the involved parties.)
Sergei Vasiliev, who represents the family of Yuri Shatunov, indicated that Razin had on several occasions claimed rights to the songs yet failed to provide supporting evidence. This ongoing tension between Razin and the Shatunov family, along with the unsettled financial claims, continues to shape the public narrative around the group Tender May and its legacy. (Citation: statements from Vasiliev and recent court filings.)
Earlier remarks from Razin described his public interventions in the industry as a form of risk mitigation on behalf of artists who might otherwise be left without protection. These comments have fed into broader discussions about authorship, rights, and the responsibilities of producers within the music sector. (Citation: Razin’s own statements cited in media coverage.)