In a discussion with critic Sergei Sosedov, he commented on Lucy Chebotina’s performance of the piece titled “Empress,” asserting that it bears little resemblance to the original work attributed to Irina Allegrova. He emphasized that the interpretation diverges significantly from the source material and questioned the accuracy of the rendition.
According to his assessment, the rendition falls short of respecting the author’s intent, describing the arrangement as a misstep that effectively spoils the essence of the song. He argued that the melody presented in Chebotina’s version does not reflect the established tune associated with “Empress,” pointing instead to a markedly different melody and structure that he believes should not be connected to the original composition.
Sosedov further explained that Chebotina’s performance, in his view, centers on narrative elements other than the empress herself. He described the interpretation as focusing on the predicament of a young woman facing a headache and needing to visit a pharmacy for medicine, which, in his opinion, shifts the theme away from what the audience would expect from the title and historical context of the piece.
He added that Chebotina appears unfamiliar with the historical figure referenced by the title and the cultural significance surrounding the Empress. While he acknowledged that Chebotina is not without talent, he maintained that the approach taken in the performance demonstrates a lack of depth and respect for the source material, labeling the execution as insufficiently informed and misaligned with the original work’s spirit.
The critic asserted that the cover comes across as disrespectful to the original author and projects an impression of unprofessional handling. He warned that such renditions can undermine the integrity of established works and confuse audiences who are familiar with the canonical version of the song.
Chebotina’s recent engagement at a talent show dedicated to higher education was noted in connection with this discussion. She described the experience as a significant misstep in her career path, arguing that choosing to pursue formal education rather than focusing solely on a music career might have broader implications for her development as an artist on the international stage.
Earlier reports mentioned in passing that former partners Olga Buzova and Dava had reunited in China, a topic that may have influenced public discourse around Chebotina and her public image at the time. The ongoing conversation surrounding these developments continues to reflect the broader pressures and expectations faced by contemporary performers navigating fame, artistic integrity, and personal choices in the public arena.