Ptah, the rapper whose real name is David Nuriev, spoke openly about his experience with the film Brother 3, describing his role as surprisingly easy. In an in-depth chat with WomanHit.ru, he pulled back the curtain on what made the part feel natural to him and how he related to the character he portrayed.
According to Ptah, his cinematic hero is a man who strays from the ordinary, a character with a certain edge and unpredictability. He described this type of figure as someone who appears to bend the rules while still carrying a recognizable humanity, a blend that resonates with audiences who enjoy flawed yet compelling antiheroes.
Ptah added that the simplicity of the role came from life experience. He explained that he had encountered similar figures many times before, which helped him inhabit the character with confidence. This connection to the material allowed him to deliver a performance that felt authentic and grounded, even as the story took unexpected turns.
Beyond the personal affinity for the part, Ptah noted a palpable nervousness that bubbled up among the crew ahead of the film’s release. The tension was not limited to the actors; the entire team felt the weight of expectation as they prepared to share the movie with an audience that might judge it by its title and premise alone.
In particular, the director, Valery Pereverzev, faced his own concerns. Pereverzev’s partner in production, Yulia, who served as a producer on the film, also carried a sense of anxiety about how the project would be received. The filmmakers were mindful of responsibility—an element they felt as a shield and a challenge—because the project represented a distinct direction from other works they had pursued. This is why the decision was made not to mimic the earlier Balabanov arc; instead, the team pursued a continuation that tells a totally different story, one that stands on its own while drawing from the creative energy that started the project in the first place.
On a later occasion, Pereverzev himself spoke about the film’s status, clarifying that the work had been technically prepared for distribution and had earned recognition from the State Film Fund. He explained that the Ministry of Culture’s questions related to legal norms rather than the film’s content, suggesting that bureaucratic processes were at the heart of the hold-up rather than any artistic controversy. This nuance helped frame the film as a carefully navigated project caught in the middle of regulatory scrutiny rather than a misstep in storytelling.
The movie itself features a cast that includes Ptah, with notable performances from Eric Roberts, Olivier Siu, and brothers Vladimir and Yuri Torsuev. The lead roles are held by Vasily Karpenko and Alexandra Voznesenskaya, who bring vitality and contrast to the unfolding drama. Although the project diverges from Alexey Balabanov’s famous Brother duo in theme and tone, it carves its own path with a distinct voice and pacing that aim to connect with contemporary audiences while paying homage to the spirit of bold, character-driven storytelling.
Earlier comments from Bird shed light on a candid stance toward the inevitable reception from critics and fans alike. The discussion touched on resilience in the face of negativity and the importance of staying true to the characters and the story the filmmakers set out to tell. The overall message centers on commitment to the craft, a willingness to take risks, and a belief that a performer’s lived experience can enrich a role in ways that resonate on screen, even when the project navigates challenging terrain. The conversation underscored a broader truth about independent cinema: success often hinges on honest performances and a clear, purposeful direction that invites audiences to judge the work on its own merits.