In a televised moment on The Voice, rapper Daria Zoteeva alleged that singer Polina Gagarina had issued threats toward her. The discussion unfolded as Zoteeva recounted the tension that arose during the program, framing it as a clear instance where the two artists crossed paths under stressful circumstances. While the platform did not challenge the claim with a denial, Gagarina later clarified that her expressed discontent stemmed from the creator of Zoteeva’s song rather than from an outright personal confrontation.
Gagarina described her stance in terms that linked artistic expression with personal tastes. She said the song carried an unsettling aura and carried content she considered inappropriate for young listeners, emphasizing her responsibility as a mother to shield children from music she deemed unsuitable. The remarks were presented in a way that highlighted a clash of artistic vision and parental protection, a debate that often surfaces when public figures critique each other’s creative work and its perceived messaging.
Responding to these comments, Zoteeva noted that she had listened to her parents and acted to address the issue in a quiet, decisive manner. The mention implies a personal resolution anchored in family guidance, suggesting that the response was not just a performance matter but one tied to broader household values and the way creative expression is navigated within a family context.
On March 1, the Mash Telegram channel reported that Instasamka’s concerts in various regions were canceled after activists voiced concerns about the artist’s public image and the lyrics she presented. The reporting pointed to a broader pattern where public performances come under scrutiny for their perceived morality and how cultural figures portray themselves on stage and in media channels. The publication highlighted activist involvement as a catalyst for the tour changes being discussed at that moment.
By March 2, Zoteeva publicly disputed the claim that concerts were canceled due to content restrictions. She asserted that there were no formal limitations tied to her music and that the changes were primarily driven by her own artists’ team decisions about the format of her solo performances. She explained that she chose to cancel certain dates because she was dissatisfied with how the solo show was shaped and presented to audiences, underscoring a professional preference for a different artistic structure rather than external censorship.
Looking ahead, the Instagram figure indicated plans to organize a project larger in scope than prior endeavors in anticipation of releasing a new album titled RICH WITCH in 2025. The announcement signals a strategic move toward an expanded creative concept and a broader stage presence, with the release positioned as a significant milestone in the artist’s career. The project appears to be framed as a major artistic statement, aiming to captivate a wider audience and generate substantial media attention as the release date approaches.
Earlier, Alla Pugacheva had hinted at new music to mark an anniversary, suggesting a tradition of prolific output and ongoing contributions to the music landscape. The reference ties into a broader narrative about veteran figures continuing to influence contemporary scenes, with fans watching closely for how such promises translate into new performances and recordings over time.