Olga Meganskaya, former lead vocalist of VIA Gra, shared her perspective on ongoing rumors about jealousy within the group and specifically addressed Vera Brezhneva and Konstantin Meladze. Speaking to Kadin.ru, Meganskaya dismissed claims that Brezhneva would feel envy toward any other soloist or that Meladze favored one member over another. She pointed out how such statements often surface in gossip cycles and have little to do with reality. In her view, the current pause of the group seems to be the result of a mix of external factors rather than internal dynamics or personal tensions.
Meganskaya underscored her affection for the band and recalled the collaboration with Meladze as a highlight in her life. She described that era as the happiest and most engaging period, noting there was no shortage of talent around the producer. According to her, Meladze stood out as a creative genius who attracted a constant stream of gifted and artistically driven people, which greatly enriched the group’s output and atmosphere.
Joining VIA Gra in 2018 after Misha Romanova left, Meganskaya spent three years with the ensemble before transitioning to a solo career. Her time with the group, she explained, was marked by professional growth and memorable performances, reinforcing her enduring respect for the project and its creative leadership. The singer’s reflections offer a nuanced view of the group’s history, distancing rumor from the lived reality of collaboration and artistic pursuit.
Earlier in her career, Meganskaya appeared on the competitive reality show Bride, an experience she described as formative in shaping her public presence and performance style. The arc of her journey—from reality TV participant to a respected performer in a major pop project—illustrates the varied paths artists navigate within the broader music landscape. These remarks, shared to provide clarity, contribute to a grounded understanding of her personal experiences and the dynamics within VIA Gra, as observed by observers and fans alike (via Kadin.ru). The overall message remains that professional relationships in such ensembles are complex and enriched by mutual respect and shared artistic goals, rather than by envy or rivalry.