He reflected on two major television experiences, Live and Let’s Get Married, sharing impressions from interactions with Andrey Malakhov and Larisa Guzeeva. He described Guzeeva as likable and generally supportive, but noted a quick-tempered side that sometimes surfaced. Rosa Syabitova, he felt, asked unusual questions, possibly arising from his blogger status. Despite speculation among fans that they might be closer than they appear, he did not share that belief himself.
Malakhov stood out as a warm, approachable host. He recalled seeing Malakhov collaborate with bloggers on TikTok even before joining the show, and appreciated how his manager immediately invited him to shoot a joint video. The overall impression was positive, leaving him with fond memories of the encounter.
When asked about the trend of bloggers moving into sports-related TV projects, he expressed a strong interest in a program concept like Ice Age. Childhood memories tied him to the world of professional figure skating, making the idea personally appealing and meaningful.
In pondering a hypothetical Russian ballet-centered show akin to Ice Age, he mused about pairing with notable personalities. He teased the possibility of working with Andrey Malakhov or Dave, ultimately leaning toward LJ as perhaps the best fit, though he acknowledged the playful nature of the discussion.
On the program Revuzor, he explained its concept alongside presenter Anton Smolenchuk: visiting universities to explore their strengths and challenges, interviewing students, and highlighting dormitory conditions. He noted that the format is both entertaining and informative, offering a different flavor than Elena Letuchaya’s show. The filming process was described as enjoyable, with a crew he felt fortunate to work with.
Regarding the balance between ballet and blogging, he admitted it can be challenging to juggle both passions. He does not favor one over the other, recognizing how choreography was a lifelong interest since childhood and remains a source of euphoria on stage. Yet blogging serves as a personal outlet—an avenue to express creativity, connect with a responsive audience, and build confidence through feedback.
He believes his content helps people discover the subtleties of ballet, noting that many viewers have ventured to theaters or ballet performances after watching his videos for the first time. This exposure has connected his artistic world with a broader audience, enriching both his career and the public’s appreciation for dance.
As for whether professional ballet skills aid his content creation, he was certain the training has some influence. The ballet background informs certain videos, though he emphasizes that the technical choreography is not his sole focus; instead, he pays close attention to details during shoots and storytelling moments.
On Anastasia Volochkova, a renowned ballerina who also shares a presence as a ballet blogger, he recalled considering collaboration ideas. He mentioned that she is familiar with his work and that a joint project could be intriguing, particularly given her status at the Mariinsky Theater, which is a significant milestone in ballet culture.
When asked whether Volochkova’s public conduct is fitting for a former principal dancer, he commented that she is widely known for her TV appearances. He felt her involvement in ongoing intrigues might be seen as inappropriate for someone of her stature, yet he acknowledged that adult choices are complex and not always easy to judge from the outside. He refrained from harsh judgments while offering a cautious critique of the spectacle around the industry.
On the topic of ballet teachers and their views on combining stage work with TikTok activity, he observed that audiences notice, but do not always connect the dots between theatre performances and online content. Ticketing and performance engagement sometimes appear absent in social channels, which puzzled both fans and insiders. Still, fans frequently ask where to buy tickets for his shows, a sign of growing cross-channel interest and the evolving relationship between live art and digital media.
When considering his future, he admitted a desire for continued blogging success while acknowledging that achieving top-tier ballet status would grow increasingly demanding. He values both paths, recognizing the distinct pressures and rewards each presents.
Earlier discussions about non-professional actors joining the Moscow Art Theatre or other stages surfaced in conversation. He treated such cases with openness, noting that some performers without formal training can still deliver strong performances. If given an opportunity in theater or cinema, he would be inclined to accept, should the right project arise.
Addressing the broader context of 2022, when many artists and bloggers left Russia, he commented that colleagues’ decisions were their own. He believed it was not his place to judge, urging restraint and avoiding personal attacks. He personally did not plan to relocate, feeling comfortable in Moscow, though he might consider working in a foreign theater if the chance arose.
He also weighed in on a public controversy involving Nekoglai, who faced expulsion over a parody about the Russian army. He described Nekoglai as somewhat narrow-minded and prone to arrogance, while condemning the video itself. He suggested filtering content more carefully given the political climate, noting that bloggers do not operate above the rules that govern public discourse.
On the broader question of cultural cancellation in 2022, he viewed politics as something that should not stain culture. Headlines suggesting that classic ballets would be barred abroad seemed misguided to him, arguing that culture—especially ballet—should resist political pressure and remain a universal form of art.
Finally, regarding the withdrawal of Western companies from the Russian market, he observed that the advertising landscape did not immediately recover. He cited Lacoste as an example of a brand leaving Russia and noted that opportunities and partnerships have struggled to stabilize since then, underscoring the broader economic and creative impact on his collaborations.