In a candid talk on Channel Fifth, Natalya Podolskaya reflected on her oldest son Artemy and his relationship with music. The singer and performer made it clear that she and her husband, Vladimir Presnyakov Jr., do not push their children toward a life on stage. The moment felt less like an interview and more like a window into a thoughtful parenting philosophy about creativity, expectation, and personal choice.
Podolskaya explained that she and her partner have watched Artemy grow up in a family with deep musical roots. Despite that heritage, they chose not to press him to pursue singing or performance. “I don’t want to offend anyone, get me right, I sat down and thought: why do some parents think their kids should sing?” she said. Her words carried a sense of relief that Tema, who is around eight years old and comes from a family steeped in music, has not yet shown a burning desire to sing. They are not forcing him into the spotlight, and they are giving him space to discover his own interests and talents beyond the family tradition.
The sentiment she shared raises a broader conversation about talent and vocation. Not every child will gravitate toward the arts, even in environments where music is a daily part of life. Podolskaya acknowledged this reality with grace, emphasizing that personal inclination matters more than lineage. “We don’t pressure him,” she reiterated, underscoring a parenting approach that respects the child’s own pace and passions. If Artemy ever expresses a wish to perform, that will be a decision they consider together, but the initial stance remains one of encouragement rather than obligation. It is a reminder that the path to a career in the arts often begins with genuine interest, not parental expectation.
On a personal level, Natalya Podolskaya and Vladimir Presnyakov Jr. have built a family life that balances tradition with individual exploration. The couple tied the knot in 2010 and welcomed Artemy in 2015, a timeline that marks a steady progression from partnership to parenthood. The family expanded again in 2020 with the birth of their younger son, Ivan, a reminder that parenthood can evolve in unexpected and joyful ways. The narrative also includes Presnyakov’s broader family circle, noting that he has a first child with Christina Orbakaite, named Nikita, adding another layer to the family dynamic and the generational musical lineage that surrounds them all.
What stands out in this story is the quiet confidence with which the couple approaches their children’s futures. It is less about who is expected to carry a note on stage and more about fostering an environment where curiosity is encouraged, talents are explored, and choices are respected. In a world quick to label young talents and stream expectations into early careers, Podolskaya’s family offers a counterpoint: the value of listening to one’s inner voice, even when that voice runs counter to tradition. Such an approach not only shapes the children’s sense of self but also sets a tone for audiences who watch famous families navigate fame, pressure, and the quiet dignity of letting children choose their own path. The conversation remains not about denying musical gifts, but about granting space for authentic growth without pressure, a balance that many parents in the spotlight strive to achieve.
As public interest in celebrity families continues to rise, stories like this highlight a practical model for raising children in the arts without sacrificing personal autonomy. Artemy’s future remains open to possibility, and the family’s current stance—supportive, non-coercive, and attentive to each child’s trajectory—offers a humane alternative to stricter expectations. For fans and observers, the takeaway is clear: strong families often succeed by prioritizing genuine interest over inherited duty, and by choosing encouragement over obligation when it comes to pursuing artistic dreams.