Two well known comedians, Mikhail Galustyan and Garik Martirosyan, were reported to have earned nearly three million rubles from their shared production venture, according to a Telegram channel called Zvezdach.
Another report states that the LLC Producer Center Galustyan recorded a revenue of 3.3 million rubles with a net profit of 2.8 million rubles. The business spans artistic, literary and performing arts, alongside advertising and film distribution. The figures cited come from a 2022 financial report attributed to the company.
Historically, the production center started under the ownership of Galustyan and Alexey Novatsky, a member of Comedy Club. Martirosyan joined the founding team on February 26, 2020, while Novatsky later faced bankruptcy in 2021.
In July, Galustyan dismissed rumors about planning to relocate to Armenia. He explained that if he were arranging an escape route, he would not have chosen Armenia as the destination for such a plan, emphasizing a practical stance about his future.
The entertainer noted that he thinks in Russian, speaks Russian, yet feels a strong Armenian identity, describing Armenian heritage as an integral part of his lineage. He pointed to Armenians living in California as an example of Armenian citizenship considerations, reflecting the broader discussion about national identity and diaspora connections among public figures.
In a separate legal matter, a court previously rejected a claim from Kirkorov concerning apartment taxes, highlighting how tax disputes involving public personalities can intersect with high-profile entertainment industry cases.
Overall, the narrative around Galustyan and Martirosyan combines successful business ventures in the arts with personal discussions about heritage, geography, and the legal intricacies that can accompany celebrity-led enterprises. The reported financials illustrate a profitable enterprise that diversified its activities across media, performance, and promotional work, while the personal disclosures shed light on how cultural identity and geographic considerations can influence a public figure’s career and public perception. The ongoing scrutiny of their corporate structure and personal statements underscores how modern entertainers navigate profitability, branding, and national identity in a globalized entertainment landscape, where financial performance and public persona often travel in tandem. These elements together paint a picture of a resilient duo maneuvering within a dynamic market, using a blend of artistic ventures and media presence to sustain relevance and growth over time, even as individual and corporate narratives evolve. The broader context includes how ownership shifts, bankruptcy episodes in associated teams, and cross-border identity conversations interact with the business side of entertainment in major markets like Canada and the United States, where audiences and regulators alike pay close attention to transparency, legality, and cultural representation. The convergence of finance, fame, and identity thus remains a defining trait of the contemporary celebrity-driven production ecosystem. The discussion around these figures serves as a case study in managing a multi-faceted enterprise while maintaining a public persona that resonates across diverse communities. It also highlights the importance of clear financial reporting, ethical considerations in partnerships, and the delicate balance between national pride and global audience appeal in today’s media environment.