Love, Music, and Movement: Auren Experiences in Latin Pop

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His name may still be new to many, yet his songs have already left an imprint on a generation. If there are kids in the house, their music likely slips through the phone and into everyday life. In this space, a fast, dizzying race unfolds between algorithms and memories. Aitana, a standout figure from Latin America, has captured attention over the past five years. Denise Rosenthal cultivates a bold urban style with a feminist edge that is reshaping the market from start to finish. Every note seems to come from a throat determined to challenge the status quo. In the face of critics, she offers art charged with emotional resonance. It’s almost a formula for making waves, built on hard work and undeniable joy, as the Chilean artist explains after the release of her latest work.

He stands as one of the most recognizable figures in his country and beyond. His early breakthroughs came with appearances in children’s series such as Amango and El blog de Feña at a young age. The persistence of those roles was hard to shed, but he wouldn’t trade the journey for anything. “The audience felt like I was in their living room every day. I believed they knew me better than anyone else. When I decided to pursue a new direction, it was tough to reveal my true self. I faced a personal and professional crisis, uncertain about who I was.” He eventually moved to Argentina to confront those questions, and there, alone in the face of challenge, he found his musical voice. That shift not only saved him but also established him as one of the most compelling writers of the moment.

“I shelter myself in pop because it lets me carry strong messages to as many listeners as possible. Creating constructive content is my deepest passion. I want to connect people and accompany them through their inner journeys,” he explains. The solo debut with Fiesta in 2013 marked the beginning of this mission, reinforced by collaborations with notable names in the industry. Among them are Mala Rodríguez, Lola Indigo, Sweet Maria, Danna Paola, and soulfia. He notes that society often gives women less space, yet the call remains for collaboration, diversity, and independence. The more voices there are, the stronger the tapestry becomes. That idea shapes his work as much as his ambition.

Love and feminism

Following Cambio de pie in 2017 and We will all be queens in 2021, Denise Rosenthal pushed further with Supernova in 2023. Across ten tracks, the singer crafts a narrative of a heroine facing trials across thirty-three years, weaving themes of love, hope, pain, the future, and balance that continually spark excitement. She speaks of a spiritual connection that invites healthier, more conscious self-advocacy. “I constantly wrestle with myself, striving for balance. I embraced the darkness to become stronger. People seek belonging, so when they see themselves reflected in others, love flows into their hearts.” This mantra mirrors the consistency she aims to project through her art and personal brand.

Some already label her a feminist icon, a description she embraces with stubborn caution. “I don’t claim that label, but I recognize being part of the movement and actively contributing.” An experience that left a lasting mark—witnessing a friend endure severe domestic violence—motivates her to spark conversations and push for a just world. That commitment to change extends beyond politics; it is a personal mission. Her music carries this intent in tracks like Love Doesn’t Hurt, Ni Un Fruto, and Balance, where compassion and empowerment fuse with pop sensibility.

Today the momentum around feminism continues to grow, yet she believes the field should welcome men as well. A conscious effort to understand varied struggles is essential, she argues. Her stance relies on the belief that power can move beyond melody into action. She urges a practical ideal: strive to be perfect by repeating positive messages in songs. She tells herself she is enough, brave, and capable—and she believes this mindset resonates with listeners too.

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