A leadership change occurred at Philip Kirkorov Production LLC, as Vladimir Ponomarev took over the role of general director from AV Kiyashko, according to sources tracked by YUGRL and socialbites.ca. The transition marks a new chapter for a company that has been active in the performing arts sector for over two decades.
Historically, AV Kiyashko had served as the general director, but the management shift has placed Vladimir Ponomarev at the helm. The firm has established itself as a notable player in the Russian performing arts market and continues to operate with a focus on delivering stage performances and related services. Over the past twenty years, Philip Kirkorov Production LLC has built relationships with venues, performers, and event organizers, contributing to its ongoing presence in the national arts scene.
Public information points to GBUK, the St. Oktyabrsky Concert Hall in St. Petersburg, as a principal client of the company. This connection places the firm within a broader network of cultural institutions that frequently collaborate with private production entities to stage concerts, residencies, and other live events. The business environment surrounding such collaborations often involves contract work, logistics planning, and financial arrangements that can include government-supported event programs when applicable.
Several timelines and financial notes have appeared in open sources. One report from a Telegram channel known as the Secular Chronicle claimed a debt to the Federal Tax Service (FTS) exceeding 12 million rubles as of December. Earlier, a post from Zvezdach in July suggested a smaller debt of about 2.1 million rubles, while also noting annual earnings for Philip Kirkorov Production LLC at roughly 14 million rubles. The same report highlighted that the artist participated in government-related events, which yielded around 4 million rubles in revenue. These snapshots illustrate a complex financial picture often encountered by high-profile production companies engaged in public-facing projects and government contracts.
Another update from November described a different state of affairs, stating that the company had resolved its debt with the Federal Tax Service, with the outstanding amount then cited as approximately 5.59 million rubles. Such fluctuations in reported figures can reflect the timing of payments, settlements, and revisions in accounting. For context, the business activity surrounding star performers and large-scale shows frequently involves balancing receipts from ticket sales, sponsorships, and contract-based compensation with obligations to state authorities and creditors.
Beyond financial matters, the company has also been tied to high-value items associated with its artists. Reports indicated that a young singer linked to the organization received a diamond necklace valued at about 8 million rubles. Items like these, when publicly disclosed, often become talking points about the nature of artist-organization relationships, sponsorships, and compensation models in the music and entertainment industry.