The versatile actor and presenter, known for his impressions, returns to the Teatre Coliseum in Barcelona, where he first took the stage with a refreshed show featuring new material alongside familiar favorites. Fans who know him from El Hormiguero and Tu cara me suena will discover a Latre who feels newly energized and expanded in scope.
He already performed a one-man show at the Coliseum last year, which was affected by covid restrictions. Is this year’s version the same, or has it been refreshed with new material?
A lot has changed. The show is anchored in the present moment. It began after the pandemic era, during which masks and theatre restrictions shaped performances. Because today’s world looks different, the show does as well.
What can audiences expect in terms of content?
Audiences will see political and cultural moments reflected in the act, including Pedro Sánchez and his European achievements, parodies of Chanel with SloMo, Ada Colau and Barcelona election discussions, Pere Aragonès and the budget theme of the World Cup, and playful riffs on Messi and Sergio Ramos, plus a nod to C. Tangana and Bizarrap and Quevedo. There is also a tribute to Serrat as he bids farewell to the stage.
Is there also room for classic humor?
Yes, classics remain essential. The show brings back familiar figures like Gila and Pepe Rubianes, while offering contemporary takes on Barcelona’s realities, including safety in busy places and the once-famous Club Capitol.
Beyond the stage show, does Latre keep a busy media schedule?
He keeps a tight pace, juggling radio commitments twice a week and appearances on television programs such as El hormiguero and Tu cara me suena. Free time is scarce, but he embraces each moment, doing what he loves and bringing joy to audiences.
What is the key to managing it all?
Discipline. He emphasizes careful routines, medical guidance, a balanced diet, and regular exercise several times a week, coupled with seven to eight hours of sleep each night to stay steady during demanding seasons.
Does Latre’s live theater persona differ from his TV presence?
Live audiences are surprised by the breadth of his performance. The show blends singing, dancing, and acting into a multidisciplinary experience. It becomes a warm, upbeat, family-friendly show with over 100 character voices packed into an hour and a half, creating a direct connection with viewers.
People respond to that connection.
The show has drawn around 150,000 spectators across 17 provinces, underscoring the strength of live performance and the resonance of its humor and storytelling.
On stage alone, how many people support the performance?
Behind the scenes there are ten colleagues and a seasoned script team, working with him over many years to keep the production tight and responsive to the moment.
“In Spain audiences often label him as an imitator, yet he explores many other disciplines beyond imitation”
Will his format stay the same, or evolve further in the future?
The core remains a dynamic show with strong teams. The production company is a close-knit group that feels like a family, delivering consistent collaboration and a touch of magic to every project.
Is Latre strictly an imitator on stage?
He’s more than an imitator. Some peers take humor in a very serious vein, but Latre loves variety. While imitation is foundational, other stage disciplines draw him as well, making the performances lively and multi-talented.
He performed in Golfus de Roma in its Catalan adaptation. What was that experience like?
It was a bold challenge, delivering 140 performances, including a run in Mérida. Being part of a stellar company led by Dani Anglès was deeply rewarding. It was hard, beautiful, and unforgettable.
Would he like to do another musical?
Absolutely. He would relish another musical, and perhaps a different approach that leverages his new understanding. If given the chance, he would incorporate a cover element.
“If everything aligns, there could be tours beyond Spain”
What else is on the horizon?
There are many challenges ahead. At 43, he has had opportunities to perform in the US, including a potential CBS show, and he hopes to bring his live act to Latin America and the United States with a new tour planned for next year.
Will the show feature new characters?
A more musical approach is in the works for a one-man show. If all goes well, future stops could include Miami, New York, Mexico, and Peru. Two writing teams are already at work, one crafting current-event-based screenplays, the other focused on radio and other formats under the banner Your face looks familiar to me.
Could there be humorous series in his future?
A television series isn’t on the top of his list right now. His first production, El mundo de Chema, was a learning experience. He is open to new opportunities, but Spain’s labeling of performers can limit chances in TV, cinema, or editing blocks for now.
“There are timeless classics that still make people laugh today”
How does he view the humor landscape in Spain now compared to its beginnings?
Humor evolves with the times. Some classics like Gila, Pepe Rubianes, and Tip y Coll still evoke laughs, while others age out. Today there is more self-censorship and a kinder, more upbeat tone overall. It helps to have humor that remains accessible and kind, even as sharper lines shift with the era. Some colleagues have slowed down, but the spirit of humor endures.
And the role of women in comedy—how has that changed?
There have always been formidable women in comedy, from Lina Morgan to Mari Sampere to La Maña and Amparo Moreno. La Cubana has also featured great female performers. Today, female humor is more visible and celebrated, which is exactly how it should be.