Television host Ksenia Borodina took to her Instagram account to answer a subscriber’s query about whether the Women’s Club program would make a comeback on TNT. The discussion touched on the fate of a show that has captured the attention of fans on and off the screen, with many viewers curious about the future extension of its run on Russian television. Borodina’s message to the audience was straightforward: she acknowledged the persistent interest but conceded that she did not possess definitive information about the channel’s plans for the series. She explained that she is not a decision maker at the network and that the ultimate choice rests with TNT executives. In her words, the channel holds the responsibility to determine if and when the Women’s Club might reappear, and she advised fans to direct their questions to the people who manage the project within the network.
Yıldız highlighted that the question about a potential return is among the questions fans ask most often. The public’s desire to see the show on air again remains strong, and supporters are keen to know whether the concept will endure beyond the current hiatus. Borodina emphasized that she understands the fans’ attachment. She described the program as a format with a warm, approachable panel of hosts and a concept that resonated with many viewers. She also shared that, despite the completion of numerous shoots, only a fraction of the material was released. This fact underscored for her that the show had a supportive chemistry among presenters and a premise that could still have appeal if given the right platform and timing. The creative team invested significant effort into developing content that reflected the everyday experiences and interests of the audience, making the project feel accessible and relatable to a broad viewership.
In November 2022, reports circulated that TNT editors were receiving messages from fans who found the broadcast time for the Women’s Club inconvenient. Borodina acknowledged the feedback and explained that the decision to bring the show back would hinge on identifying an optimal timeslot that would maximize audience reach and engagement. The discussions suggested that the network was weighing practical considerations alongside the show’s format, guest lineup, and the overall scheduling matrix. Viewers who follow the channel closely understood that broadcast logistics often play a pivotal role in determining whether a program returns after a pause. The commentary from Borodina reflected a broader industry pattern where fan input is valued, yet the final decision rests with the channel’s strategic scheduling and programming priorities. The discourse around the show’s fate illustrates how media properties evolve in response to viewer demand while balancing corporate objectives and operational realities.