Valencian curator Isabel Bonora oversees the Louvre’s Greek, Etruscan and Roman Antiquities division, a cornerstone of the world’s most visited museum and a global beacon for ancient art and artifacts.
How is Bonora’s day-to-day work guided at the Louvre?
Her role balances two fundamental duties in heritage stewardship. One is the operational side—inventory control, preventive and restorative conservation, restoration work, approving loans to national and international institutions, welcoming researchers, and enriching the collection through ongoing study and publication. The other facet focuses on value generation—curating exhibitions, publishing catalogues, teaching, and launching research projects that deepen understanding of the holdings. Conservation often runs quietly in the background, while curatorial activity captures public imagination. Bonora remains deeply committed to preserving cultural heritage for future generations, pursuing this mission with evident dedication and perseverance.
Within the Greek, Etruscan and Roman Antiquities collection, what kinds of pieces fall under her purview?
Bonora is the curator responsible for the Greek and Roman bronzes in the department. The collection spans a remarkable spectrum, from gold and gemstone jewelry to silver and other metalworks, plus monumental bronzes like the extraordinary Apollo of Lillebonne. It also includes everyday objects, medical instruments, religious gifts, household items such as plates and oil lamps, weapons, gladiator equipment, and more. The assemblage extends from 2,000 years ago to the 5th century AD, with roots in ancient civilizations and sites like Delos, Pompeii, and Herculaneum. Considered one of Europe’s most significant bronze and metalwork holdings, each object feels like a tiny jewel in its own right.
The Apollo of Lillebonne was discovered in Lillebonne (Normandy) in 1853. Archive
How did Bonora arrive at one of the world’s leading museums?
Her path was unconventional. She began at Valencia Polytechnic University’s Industrial Engineering School, yet her long-held passion for archaeology guided her next steps. After four years studying geography and history in Valencia, she sought international experience and earned an Erasmus scholarship. The initial plan was to go to Venice, but Paris beckoned instead. With limited French, she embraced a challenging but rewarding first year in the city. After two years there, she secured an internship at the Louvre, which evolved into short-term contracts, research positions, and teaching roles at the university. Years later, she earned a stable contract and, through a rigorous competitive process, became guardian of the goods. The journey, though unpredictable, culminated in a rewarding tenure at the museum.
The Mona Lisa remains the museum’s most famous magnet. What other hidden treasures does the Louvre hold?
Indeed, Mona Lisa attracts immense attention, but the Louvre houses countless treasures across its diverse sections. Paintings, sculptures, Egyptian and Oriental archaeology, and more showcase exemplary craftsmanship and historical significance. The Greek, Etruscan and Roman Antiquities section shines with celebrated works like Venus de Milo and the Nike of Samothrace, yet smaller, lesser-known pieces often reveal deeper stories. Bonora highlights recently opened ceramic rooms, new Etruscan galleries, and particularly the bronze rooms. A perfume glass etched with archaic Greek writing reflects a craftsman’s pride in quality, while a bronze-overlaid athlete’s head from Herculaneum demonstrates intricate technique. A remarkable piece, Bacchus Katz, features multicolored metal plated with silver and copper, among other masterworks—a testament to the broad, rich range the collection preserves.
The Triumph of Samothrace, representing the goddess Nike, was discovered on the island of Samothrace in 1863. Archive
Does Bonora share a personal affinity for the Mona Lisa as well as other works?
Yes, she admires Mona Lisa but maintains a balanced perspective. The painting is a masterpiece of its era, yet its fame is amplified by its iconic status. The museum experience can be quieter on Tuesdays, when galleries are less crowded—an opportunity to study works up close, photograph them, study restoration techniques, and delve into research. Sometimes she takes a moment to stand before the Mona Lisa alone, a rare privilege that offers a personal connection to the artwork.
With pieces that have been studied extensively, is there always more to uncover?
Archaeological inquiry never ends, and each new generation unlocks fresh insights. Bonora’s own collection comprises about 8,000 objects, not all thoroughly explored, with different items receiving varying levels of attention. Advances in technology and archaeology reveal new angles—ingredients and substances used in ancient times, perfumes, fuels for lighting, and production techniques pursued by ancient jewelers. The scope for ongoing discovery remains vast.
The Veronese painting Wedding at Cana, displayed opposite the Mona Lisa, highlights the museum’s diverse holdings. Archive
What does the Louvre offer about everyday life in the Instagram age?
The Louvre presents intimate and accessible aspects of its collections. Social media presents artifacts in ways that are immediate and visual, inviting public participation. Bonora appreciates that this approach helps the museum reach broader audiences and encourages engagement with the objects in fresh, contemporary contexts.
Is there a need to protect heritage more robustly in Spain?
Every country can do more to safeguard its heritage. At the national level, more resources should be directed toward knowledge, preservation, and cultural development beyond tourism. Heritage stewardship is also personal. Respect for public goods and more time to understand the surrounding environment matters. Simple gestures, like learning local history and sharing discoveries, can make a difference.
Are Spaniards aware of their inherited wealth?
Spain has a strong culture of heritage appreciation and many dedicated professionals. Yet a lack of museum tools and education remains a challenge in some places, including France. Education forms the foundation of knowledge, personal freedom, and social progress. Recent events underscore the importance of protecting culture and supporting open, informed public discourse.
If lost inside a museum, where would one find it?
The Louvre is continually evolving, and Bonora enjoys exploring temporary exhibitions. Her preferred sanctuary remains the galleries housing Greek, Etruscan and Roman antiquities. It has been a lifelong passion, and it continues to burn bright. If one wished to meet her, the Room of Columns is a good place to start.