In a candid conversation, actress and model Irina Kobzeva opened up about the brutal reality of some stunt work on the set of the film The Old House. She described the day she was required to plunge into a pool that had been built and rigged to resemble an improvised water chamber. What looked like a straightforward scene quickly grew perilous. The moment she slipped beneath the surface, a wave of panic took hold. After a second attempt, she lost consciousness and had to be pulled from the water. The crew and medical team worked to stabilize her, and she spent several hours receiving care and monitoring before she could return to the shoot. The memory of that episode lingered long after the cameras stopped rolling, reminding everyone on set of the fine line between drama and danger in stunt work.
The actor also recalled a moment of fear during a different scene, one that demanded an abrupt sprint toward a door and a dramatic drop into what felt like an endless drop. She spoke of the intense nerves and the sense of vulnerability that accompanies a high-stakes take. Insurance coverage was in place, but that did little to ease the sheer terror of facing the unknown on screen. She admits there were thoughts of stepping away from the production, driven by the instinct to protect herself, yet she forged ahead, trusting the crew and safety protocols that surround such sequences.
Several minor injuries accumulated over the course of the production, a common byproduct of pushing physical boundaries for realism. Kobzeva remembers a car scene where safety belts were not used, and the intent was to emulate a raw, chaotic moment. The car was rotated sharply on specialized rigs, and the interior tremors sent her sliding across the cabin. She describes the sensation as a blend of exhilaration and peril, a moment that underscored how essential precise coordination and protective measures are in modern filmmaking to achieve authenticity without compromising the performer’s safety.
The film centers on Elena, played by Kobzeva, and Artur, portrayed by Vladimir Yaglych, as a couple seeking refuge in a remote home after a traumatic incident involving a woman. The daily mystery of the house becomes a compelling thread: Elena discovers that the home seems to shift its location, occupying a new place with each passing day. The premise intertwines suspenseful, unsettling moments with a deep emotional core, exploring themes of memory, guilt, and the tenuous sense of security that accompanies sudden changes in one’s environment. The narrative builds through intimate character dynamics, punctuated by moments of danger that test both partners and their resolve to uncover the truth behind the house’s haunting presence.