The host of the House-2 project, Anton Bekkuzhev, revealed that Liberzh Kpadonu, a participant in the show, faced a heavy emotional moment when she returned to the set. He shared these reflections in a conversation with Teleprogramma.pro, offering a candid look at the pressures that accompany life in the spotlight.
According to Bekkuzhev, Liberze longed for love in the sense of partnership and family. She dreamed of getting married and starting a family, but she struggled with persistent sadness and a sense of isolation that shadowed her days. He described her emotional landscape as complicated, noting that despite appearances, her personal life had not been as hopeful as it seemed. The host recalled that Liberge had previously expressed a strong desire to nurture a family, and the ache she felt about her personal path weighed heavily on her heart.
Bekkuzhev went on to share that Liberge once discovered she was pregnant with what would have been Vanya’s child about ten years ago, a revelation that ended in the loss of the pregnancy. He described this event as a pivotal moment in her life, something that stayed with her long after the outcome. The emotions tied to that period remained vivid in her memory, shaping how she approached subsequent moments and decisions on and off screen.
In discussing the long arc of Liberge’s relationships, Bekkuzhev mentioned that he could not forget Kpadonu’s former partner, Ivan Barzikov. He suggested that while the public saw a cheerful, confident young woman, the reality was far more taxing on her mental state. The host emphasized that her outward brightness often masked inner struggles, and he reflected on how challenging it can be to maintain a balance between public perception and private well-being.
Beyond personal history, Bekkuzhev described his own distance from Liberge after her departure from the program. He explained that their paths diverged and that a sustained friendship did not endure the changes that came with leaving the show. Yet he highlighted Liberge’s intelligence and talent, underscoring the voice that captivated audiences and the strength she demonstrated, even when the circumstances around her life appeared tumultuous.
In summarizing the broader picture, Bekkuzhev remarked that the situation was deeply sad. He pointed to the contrast between outward success—numerous subscribers, recognition, and a high profile—and the hidden, enduring mental health challenges that some contestants carry. His assessment suggested that external indicators of achievement can obscure the real, ongoing struggles that affect a person’s mental and emotional health. The message he conveyed was a reminder that fame does not immunize anyone from pain, and that inner battles can persist regardless of public visibility or success.
Colleagues associated with Dom-2 confirmed that news of Kpadonu’s death came on April 1, a development that shocked many. It has been publicly noted that she had been living with diabetes for years, and a tumor was detected in her lung in September 2023. The combination of chronic illness and the emotional weight she carried in the years prior cultivated a difficult chapter that concluded tragically. Observers and fans alike reflected on the fragility of mental health and the real toll that personal history can exert on someone who has spent a portion of life in the public gaze. The conversations surrounding her final days focused on a complex interplay of health, fame, and the pressure to maintain a flawless public image, with many expressing sympathy for the pain she endured in private. The narrative offered by those who knew her highlighted the importance of support, empathy, and vigilance in recognizing when someone may be struggling beyond the surface, underlining the need for ongoing conversations about mental and emotional well-being. The account stands as a somber reminder of the vulnerability that can accompany a life lived in the spotlight, especially for individuals who carry the weight of public attention and personal history in equal measure. This reflection comes with an emphasis on compassion and the responsibility of communities to look after one another, even after the cameras stop rolling.
Neighbor accounts from people close to Kpadonu described the last days as marked by unusual experiences and a sense that something profoundly unsettled had taken hold. The testimonials pointed to a sequence of moments that differed from the public persona she showed on screen, suggesting that those around her noticed a shift in mood, energy, and outlook. The narratives conveyed a mixture of concern, admiration, and sadness as friends and colleagues tried to understand what had been happening behind closed doors. In looking back, observers stressed the importance of acknowledging emotional distress and seeking timely support, especially for individuals in high-pressure environments where the line between performance and personal well-being can blur. The late chapters of Kpadonu’s life were painted with cautionary detail: a reminder that public life can complicate private healing, and that tenderness, attention, and proactive care are essential to safeguarding mental health in demanding professions.