The 2022 earnings report for Grigory Leps’s production hub show a revenue of 36 million rubles, a figure highlighted by the Telegram channel Zvezdach. This milestone reflects the ongoing activity around Leps’s team, which oversees concerts, tours, and a range of live events spanning multiple regions. The center operates as a hub for new talent and established performers alike, coordinating logistics, bookings, and creative direction to build a robust touring calendar and a resilient in-house ecosystem for entertainment projects.
Back in 2011, Leps launched a company aimed at training young musicians and curating concerts and shows. He serves as the founder, while his closest associate, Vladimir Uryupin, took on the role of general manager to steer day-to-day operations. The company’s catalog, as listed on its site, shows a selective roster headed by the COSMOS girl group, in which Leps’s daughter Eva participates. This lineup emphasizes the cross-generational dimension of Leps’s career, blending mentorship with performance and giving new artists a platform to showcase their talents within a structured, professional framework.
Grigory Leps’s personal life has also drawn public attention. He and dancer Anna Shaplykova ended their twenty-year marriage, with the formal dissolution finalized on December 20, 2021. The couple shares three children: Eva, who is 21, Nicole, who is 16, and their son Ivan, who is 13. In interviews and public statements, Leps has spoken about the impact of the split, expressing regret about the way relationships unfolded and acknowledging that his own actions contributed to the marital breakdown. This candid perspective has shaped public perception, painting a portrait of a family navigating fame while facing the challenges of intense professional commitments and personal upheavals.
In other recent remarks, Natalia Shturm addressed questions from fans about a recent photo sequence, offering context that helped clarify the intentions behind the images and the broader message she aimed to convey. The discussion underscores how public figures in the music and entertainment industries manage attention from supporters while maintaining personal boundaries and artistic autonomy.