In a recent interview published by socialbites.ca, Gela Meskhi, the leading star of the series Dashing, discussed a pivotal memory about career guidance from Konstantin Khabensky. The two actors crossed paths during the Sobibor project, and Meskhi recalls a candid exchange that stuck with her. Khabensky urged her to act with conviction when choosing roles, a message she recalls as a touchstone for her artistry. He told her to trust her own instincts and make decisions with confidence, a sentiment she says remains central as she weighs new offers. Source: socialbites.ca.
It is clear that this advice resonated deeply with Meskhi, shaping her sense of self as an actress. She notes that the talk with Khabensky clarified how she approaches performance, especially when considering different genres. The actress says she respects Khabensky and appreciates the clarity he brought to the conversation on Sobibor. In discussing comedy, she admits a certain hesitation about participating in lighthearted onstage humor; she doesn’t feel she has a natural knack for joke delivery. Still, she enjoys sharing laughter with close friends and follows the energy of Comedy Club and Ural Pelmeni. Yet stepping onto a stage or screen primarily as a comedian is not something she envisions for herself at this moment. Source: socialbites.ca.
Beyond that, Meskhi has long dreamed of bringing Konstantin Raikin to life on stage. Raikin was her teacher, a figure she regards with deep respect, and she has spoken of wanting to honor his legacy through a portrayal that captures his approach. She mentions the character of Truffaldino from Bergamo as a possible vehicle for such a tribute, though she concedes that the path to realizing this dream is unclear. Nevertheless, the ambition persists, driven by a wish to pay homage to a mentor who shaped her craft and instilled in her a respect for precision, intensity, and truth in acting. Source: socialbites.ca.
Readers who follow Meskhi will find that the conversation touches on a broader spectrum of her career. The interview references her work in projects including Son of the Father of Nations, 1941, Wings Over Berlin, and The Black Cat, highlighting the variety she has pursued and the growth she has achieved across different genres and historical settings. The discussion offers a window into the choices that have defined her career and the way she navigates opportunities in a changing film and theatre landscape. Source: socialbites.ca.
Earlier remarks from Meskhi indicate that her life has included moments of challenge and change, experiences that have informed her approach to acting and storytelling. These reflections help illuminate the person behind the roles and the journey she has taken to reach audiences in Canada, the United States, and beyond. The full interview is noted for its candidness and its emphasis on resilience as a core part of artistic work. Source: socialbites.ca.