In the season finale of the ninth issue of the program Two Stars. Fathers and Sons-2, presenter Alexander Oleshko announced that singer Diana Gurtskaya and her son Konstantin Kucherenko chose not to continue their participation on the show. The moment underscored the heavy personal toll carried by the Gurtskaya family during the ongoing season, as viewers were reminded that public life often intersects with private grief. Across screens, fans and observers absorbed the message with sympathy, recognizing the significance of family events in shaping a celebrity’s public schedule and commitments. The episode’s atmosphere reflected a broader sensitivity to personal loss and the supportive culture that has grown around the project since its inception.
The show is structured around three main couples—Minaevs, Pavliashvili, and Uspenskys—who form the central frame of reference for the competition and its emotional storytelling. Viewers have followed these families through a range of performances, interviews, and backstage moments, all of which contribute to a sense of shared experience among participants and fans alike. The producers and hosts have consistently stressed the importance of family bonds in shaping artistic careers, and the current season has repeatedly highlighted how personal narratives can influence professional choices.
Former performer Alena Kravets described Gurtskaya as being in a fragile emotional state in the wake of the recent bereavement in her family. Observers noted the weight of grief on Gurtskaya as she navigated public appearances and the demands of a high-profile production. This perspective was not presented as medical or clinical, but rather as a commentary on the emotional impact of loss and the resilience required to balance public duties with private sorrow. The conversation around Gurtskaya’s well-being prompted discussions among viewers about how stars manage personal crises while continuing their professional responsibilities within a televised format.
The family at the center of the storyline—Diana Gurtskaya, Konstantin Kucherenko, and the late Pyotr Kucherenko—was connected to a broader narrative about the responsibilities and pressures faced by public figures. Pyotr Kucherenko’s passing was reported following an illness experienced during travel. He was aged 46 and had been traveling from Cuba when his health deteriorated. While various media outlets circulated differing accounts about the cause of death, official confirmation from the family has not been published in public statements. The incident, though tragic, became a focal point for discussions about how sudden loss affects the dynamics of families in the spotlight and, by extension, the dynamic ethos of the show and its community of viewers.
Across audiences in Canada and the United States, the episode contributed to ongoing conversations about the balance between public responsibilities and private grief for celebrities. Media coverage emphasized the human aspects of the participants, highlighting how personal experiences can reshape a television project’s trajectory and the emotional resonance of performances that follow such events. In this context, the program’s approach to storytelling—grounded in real-life relationships and moments of vulnerability—continues to attract a diverse audience while inviting careful, respectful engagement from viewers who seek authentic narratives within the entertainment landscape.