The Dubai event scene has long been a magnet for international talent, and a recent interview with Maxim Berin sheds light on which Russian stars fans in the UAE capital crave the most. The conversation, conducted for StarHit, touches on popularity, professional chemistry, and the human traits that keep stages buzzing night after night.
Berin identifies a handful of names that consistently draw large crowds. Basta is singled out as a top-tier performer whose appearances reliably attract audiences who want to see the energy and charisma that define his set. Sievert and Mot are described as exceptionally popular, with their performances often becoming talking points among attendees who value high-energy acts and memorable moments. Beyond these contemporary sensations, Berin also highlights classic figures such as Grigory Leps, Lenya Agutin, and Valery Meladze. He explains that these artists form a stable core, not only because of talent but also due to the ease of working relationships that tend to develop when people instinctively understand each other on a human level. The producer stresses that successful collaborations hinge on more than stage presence; it requires a shared sense of professionalism and mutual respect that translates into seamless shows. He asserts that the best relationships in show business come from those who communicate well and share a common ground offstage as well as onstage.
The organizer goes on to reveal a surprising self-assessment. After years spent in the industry, Berin says he has drawn a firm line about who he will work with, regardless of the potential financial upside. He describes himself, in a candid moment, as a “dinosaur” of show business—a term he uses to emphasize longevity and a preference for reliable, kind-hearted artists. For Berin, the primary quality of an artist is kindness, a trait that often proves decisive when schedules tighten and the pressure rises backstage. He believes that the best teams are built on empathy, patience, and a grounded approach to the demands of travel, deadlines, and public appearances. This stance, he notes, helps preserve a level of professionalism that he values above sheer popularity or escalating fees.
Berin adds a critical observation about the industry: many performers lose touch with their humanity as demand, money, and rapid career ascent intensify. He notes the danger of rising from modest beginnings to sudden wealth, only to face the disorienting pressures that can erode the genuine qualities that made an artist appealing in the first place. For him, the most important thing is staying grounded. He cautions that the lure of high salaries and constant exposure can push people to drift away from the values that once anchored their careers. In his view, a successful artist remains recognizable not only by a crowded calendar but by the consistent kindness and respect shown toward colleagues, crew, and fans alike. The message is clear: integrity matters as much as talent when it comes to sustaining a long and fruitful career in show business.
In a brief nod to personal history, the article notes that Daineko once performed alongside her former partner Vorobyov. This reference serves to illustrate the interconnected nature of the Russian music and entertainment scene, where professional collaborations can intersect with personal histories in ways that leave a lasting imprint on the industry’s tapestry. The broader takeaway from Berin’s reflections is a reminder that behind every star is a set of choices, habits, and relationships that influence not only the quality of their performances but the perception of the entire profession among audiences and peers alike.