Dmitry Nagiyev spoke with Elena Shaikina on RTVI about an onstage incident that led to an injury during a live performance. In the interview the actor confirmed the accident and clarified that the production did not stop because of it. Shaikina spoke with clear calm, noting that the team adjusted quickly, the crew shifted scenes, and Nagiyev continued to participate in the shooting schedule after the event. The conversation gave viewers a sense that the incident was managed without dramatic disruption to the show or the schedule.
According to Shaikina, Nagiyev is currently fine and has returned to filming. The director said he has resumed work on set and is actively involved in scenes planned for the week. On-set observers described him as focused and professional, with colleagues praising his dedication to finishing the project and maintaining the pace of the production.
During the first act of the play Kysya at the MDM Theater on September 16, an injury occurred that required medical attention. The performer requested help from the medical team, who provided an anesthetic injection and advised hospitalization. Nagiyev, however, chose not to be admitted to a hospital, preferring to stay with the production and manage the situation in tandem with his colleagues on stage.
Reports from Mk.ru indicate that Nagiyev explained his refusal by his commitments to address the audience after the performance. He noted the responsibility to speak to the people gathered for the show and the timing of the two-hour presentation. After the show, he left the venue and headed home, deciding against hospitalization despite medical recommendations.
Nagiyev is known for roles in Attention, Modern!, Kitchen and Fizruk. His work across television and film has built a broad following in Russia and among fans abroad. The incident drew immediate attention from fans and media, highlighting how a single stage event can ripple across the career narrative of a high-profile performer and spark discussion about safety protocols at theaters and the balance between duty to the audience and personal health.
In April, Nikolay Kartozia, the founder of the Friday channel, reportedly said that Nagiyev earned five million rubles for one day of shooting. The producer added that the actor requires a guarantee of at least four shooting days, a condition that reflects patterns in the industry where star power and demand shape scheduling and compensation budgets across projects.
Earlier, reports mentioned that Kushanashvili underwent removal of a cancerous tumor. While the specifics remain unclear in public coverage, the reference shows how entertainment media blends personal medical milestones with professional developments to form a broader narrative about public figures and their life behind the scenes.
The sequence of events underscores how public performances pose physical risks, and how a theater crew collaborates to respond quickly. The episode also demonstrates that performers sometimes continue working through discomfort, balancing audience expectations with security concerns, medical advice, and the realities of a tight production timetable.
For viewers in Canada and the United States who follow international entertainment news, the update about Nagiyev offers a window into how stage injuries are handled in different markets. The focus on medical advice, onstage decisions, and the pace of production resonates across borders, showing shared values like safety, respect for performers, and the need for reliable information during unfolding events.
Going forward, safety practices in theater gain renewed attention as teams analyze what happened and how to prevent similar incidents. Directors, stage managers, and performers recognize that the health and safety of those on stage must come first, while clear communication helps keep the show on track and preserves the integrity of the production for audiences at home and in the venue.
These developments also reflect how quickly entertainment news travels in the digital era. While facts vary in reports, the core message remains that Nagiyev resumed work after the incident and that the production carried on with its schedule, a pattern seen in many modern productions where performers face unexpected challenges but still deliver performances.
Ultimately, the incident highlights the resilience of the team and the commitment of the actors. It reminds viewers that live theater is a collaborative art form with real risks, requiring swift decisions, medical readiness, and a shared willingness to keep performances moving forward even when injuries occur on stage.
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