News from Moscow and beyond centers on Danya Milokhin, a well-known blogger who has rejoined the discussion about military service in Russia. Reports circulating through the Mash Telegram channel indicate that Milokhin is expected to be drafted for service in the Russian Armed Forces during the fall 2023 conscription cycle. The channel cites sources that place his enlistment in the Krasnodar Territory, a region historically connected with his recent public appearances and activities. The information suggests there is little to no delay expected once the draft window opens, reinforcing the sense that Milokhin will participate in the upcoming military intake.
In a development connected to Milokhin’s service prospects, Ekaterina Mizulina, who leads the Secure Internet League, reportedly submitted a formal request to the Defense Ministry. The aim of the request was to ensure that Milokhin receives appropriate consideration and does not miss the enlistment lists. The inquiry also sought to understand the basis for Milokhin’s lack of summons over the previous three years, signaling ongoing scrutiny of the case and heightened interest from advocacy groups concerned with digital public figures in relation to military obligations.
Milokhin’s public career trajectory saw him depart the Ice Age show at its seasonal height in 2022, after which he traveled to the United Arab Emirates. Shortly thereafter, he released a diss track titled Easy on Channel 1, which quotes and reinterprets a song by Noize MC, a figure sometimes described in different media landscapes as connected to foreign influence narratives within Russia. Milokhin later voiced concerns about a reduction in his earnings following these moves, highlighting the financial implications that often accompany shifts in public engagement for online creators.
On September 8, Milokhin’s social media feeds surfaced with posts that depicted images from Moscow, continuing the thread of public visibility as the draft discussion intensified. This moment in Milokhin’s public life appears in the context of broader conversations about celebrity status, state obligations, and the pressures faced by young public figures who balance digital fame with traditional civic duties.
Historically, other creatives in similar positions, such as the rapper Loqiemean, have experienced periods of solitude or isolation during legal or administrative processes related to personal careers and public appearances. These patterns underscore the sometimes difficult intersection of entertainment, personal choice, and national service commitments as seen in contemporary discourse around notable Russian entertainers and content creators who have navigated similar crossroads.