The third season of Comfort Zone has just aired. Do the characters feel different from season one, in the viewer’s eyes?
The season unfolds with fresh tensions and evolving dynamics. Fans notice shifts in how the core figures relate to each other, and the growth feels earned rather than abrupt. As relationships tighten and outcomes hang in the balance, the cast gives the sense that time has passed for each character, reshaping their choices and priorities in subtle, believable ways.
The hero shaved his head, and there’s chatter that girls never cut their hair this way. The heroine’s situation is tough, and it’s great to see her act instead of staying in a victim role. Are the writers setting up something special for him in the new season?
Haircuts become symbols in this story, and the change signals a larger departure for the male lead. The heroine faces a challenging arc, and her decisive move to action marks a turning point that invites optimism about what lies ahead. The writers seem poised to offer a compelling payoff for him as well, building anticipation for viewers who root for his redemption and progress.
Why does Kostrov’s wife, played by Garik Kharlamov, tolerate his lies?
The line between love and illusion remains tangled. The actor who portrays the husband suggests the motive rests on a belief that love can endure flawed behavior. The wife may still hold on, partly hoping for change and perhaps clinging to a naive trust that Kostrov will evolve. The dialogue invites the audience to weigh the tension between devotion and realism, leaving room for doubt as the story unfolds.
Would you tolerate a husband like Kostrov?
The answer is firm for many viewers. The resilience of self-respect often means drawing clear boundaries. If someone does not value their partner, there is little sense in investing time in that relationship. The idea is to observe actions over words, and to move toward a future where personal well-being comes first. When faults persist, the door to growth remains, but so does the option to part ways and pursue a more fulfilling life.
Do you think Garik Kharlamov resembles Kostrov in real life?
On screen and off, the resemblance is there, but the public truth stays private. The actor prefers not to gossip about colleagues, valuing professional boundaries and peace of mind. The fewer rumors, the clearer the focus on the craft and the work at hand.
How was the filming of the series during the 2020 pandemic? Was the third season shot differently?
Filming continued with the same core approach, though safety protocols were in constant use. The crew worked in small shifts, sometimes shooting on mobile devices, while adhering to strict testing and health measures that allowed filming to proceed in 2020. The process emphasized adaptability and a collective commitment to keep production moving forward.
With a long filmography, what is the favorite project?
Choosing a single favorite is tough. Each project carries a unique energy and a different set of lessons. The value often lies in the camaraderie of the cast and the atmosphere on set, which shape the overall experience and create lasting memories beyond the final cut.
Has theater work been left behind, and why did that happen?
Leaving theater behind is a strong phrase. A demanding shooting schedule sometimes makes balancing stage work impractical. The love for theater remains, and there is hope for a future return when the timing aligns with other professional commitments and creative opportunities.
Did you enter the Minsk Academy of Arts with an online acquaintance, and why did you apply while they did not?
Yes, the truth is straightforward. A chance meeting on the street led to an invitation to attend preliminary auditions. The candidate approached the process with relaxed enthusiasm, performing at auditions with poetry, song, piano, and dance. The suggestion to submit documents followed naturally from that moment, and the decision felt right at the time.
Have you ever considered a career in acting?
Acting was not the initial plan. Early ambitions pointed toward journalism, and a journey to Minsk for prep work at the university’s journalism faculty helped steer the path toward the performing arts in a roundabout way.
You recently earned a psychology diploma. Will you start a practice or apply this knowledge to acting?
There is already a counseling side in practice, especially with anxiety issues, which blends with the acting vocation. The experience informs on-screen character work and personal conversations alike, merging professional insight with everyday support for those seeking guidance.
Born and raised in Polotsk, Belarus, what is it like to live in a town first mentioned in history in 862?
Polotsk remains a beloved place—an anchor and a source of energy. Summers there are especially meaningful, walking among pine forests and watching sunsets near historic landmarks. The experience feels serene and restorative, a quiet recharge that fuels work and life elsewhere.
Moving from Minsk to Moscow and joining the Shchepkinsky School, how old were you when you arrived? Was the move scary?
At nineteen, the decision felt hopeful rather than frightening. The motto I see the goal, I see no obstacles guided the move. There were personal tides—leaving an art academy because a relationship shifted—but the journey found a home in Moscow with support and a place to stay. The move happened with a sense of excitement and purpose.
Last year you admitted you faced panic attacks after COVID. How did you cope, and what guidance would you offer others?
Understanding the root of the anxiety, formal training as a psychologist-counselor in anxiety and phobic disorders followed. The practical advice comes from experience: acknowledging fear, seeking help, and exploring strategies in a safe, supportive setting. A consultation can be a helpful step for anyone dealing with similar challenges.
Your most high-profile project to date is Univer. Do you feel fame came from this series?
Recognition grew gradually after university. Then Comfort Zone became a defining hit among viewers. An audience survey noted that preferences for projects varied widely, reflecting a broad, engaged fan base that follows the actor’s journey across roles.
Is fame important for an actor?
Personal experience shapes the view. Fame is not the driving force. The path was found by doing what is loved, enjoying the process, and appreciating positive audience responses rather than chasing notoriety.
Travel is a noted passion. Which places have you visited, and which trip stands out?
Traveling has taken the performer to Nepal, Bhutan, Kenya, Tanzania, Venezuela, Mexico, Cuba, Taiwan, and Mauritius, among others. Crafting routes and exploring new cultures matter as much as the destinations themselves. Each journey becomes a vivid memory and a source of inspiration for future work.