industry edition
During the second LP release, Carolina Durante, the young Madrid quartet, lifted off with relentless touring that stretched across Spain and reached destinations like Mexico, Argentina, Chile, Brazil, and even London. The trek culminates at the Wizink Center in Madrid on January 23, a moment that signals neither an end nor a pause for the band. Recognized as a guitar rock outfit, they stand as a beacon of a genre that has often felt sidelined by the dominant urban sound of their generation. After a strong showing at Primavera Sound, the group formed by Diego Ibáñez on vocals, Mario Del Valle on guitar, Martín Vallhonrat on bass, and Juan Pedrayes on drums prepares to showcase their arsenal anew as part of the Cruïlla de Tardor program, with a stop at La Mirona in Salt on Friday, a vibrant echo of their live energy. — cited from recent festival coverage.
“This is the toughest tour we’ve ever done, absolutely. We are delivering steady shows and making progress. Playing live remains our primary income, so the work continues. We will slow down after these dates as we begin crafting material for the third album. Songwriting under this pace is taxing, and the brain needs time to reset.”
opening sights
Martín Vallhonrat notes that in quieter times he balanced band life with his studies in punk rock and Philosophy, Interpretation and Stage Direction. He now uses the off days to rest and recharge, acknowledging the strain of a demanding schedule and the industry’s expectation for new releases. The current rhythm, in his view, is simple: an album at the start of the year, a single later in the year, and the pressure to keep momentum climbing because the market treats any delay as a missed opportunity. A single approach allows room to experiment with collaborations, production tweaks, and fresh ideas that can inform a future album.
emotions and canticles
The band bridges generations by drawing on sounds from the past while embracing humor and candid emotion in their lyrics. They acknowledge influences from Los Planetas and late 90s emotional rock, balancing drama with lighthearted moments. The goal is not to lean too hard in one direction but to blend sincerity with playfulness, depending on how they feel when writing. A popular humorous character within the group, a satirical portrait of a posh Salamanca figure, often appears in their work, and a playful nod to pop culture has helped widen their appeal. The bassist notes that interactions with a diverse audience are simply part of the live experience, and the band remains open to different listeners, regardless of age or background.
As crowds grow, so does the chance to encounter a broad spectrum of fans. The band emphasizes that as long as there is no disruption or conflict with audiences, expanding their reach is a natural outcome. If given the choice, a longer set would be welcome, yet the energy of live performance often overrides any hesitation. This reality reflects the social nature of rock in the current music landscape, where engagement with listeners matters as much as recorded material.
In moments of reflection, Vallhonrat comments on the appeal of continuing as a guitar-driven act. The band values its clear connection to a rock lineage while acknowledging that the audience spans generations who find something familiar in the sound. They recall early references such as Los Punsetes and Biznaga, recognizing the importance of staying rooted in the origins that shaped them while inviting new fans to join the journey. Fans of guitar music remain central to the band’s identity, and the bridge between older and younger listeners is celebrated as a sign of lasting relevance. The act of performing live with a wide crowd is seen as a source of shared joy across age groups.
tour moments and the audience
Carolina Durante’s music continues to borrow from the past while signaling modern tastes. They blend light humor with genuine introspection in their songs, a balance that resonates with both longtime followers and new attendees at festivals and venues. Diego Ibáñez notes that the writing process is influenced by a mix of classic and contemporary sounds, with a belief in the value of letting songs breathe before moving on. The result is a catalog that keeps a finger on the pulse of the times while honoring the band’s guitar-centric roots. When caught in front of an enthusiastic crowd, the group emphasizes safety, respect, and a shared sense of fun, ensuring that concerts remain welcoming spaces for everyone who walks into the room.
The discussion of Cayetano, a burlesque caricature from their repertoire, reflects the playful side of their satire. The song depicts high-society figures negotiating political shifts and shows how humor can attract a broad audience. The band acknowledges that once a wide audience is reached, there will be varied reactions at concerts. The aim remains simple: produce a positive experience for listeners who come to sing along and enjoy the show. If given a chance to refine the set, the band would test new material on the road and observe how it lands with a live audience, learning and adapting along the way.