One of the bright moments at Benidorm Festival is the news that Nebulossa will join the lineup for the RTVE television program. The announcement stirred cautious anticipation, but once the song they perform was released, the buzz grew and euro fans began talking about a bold shift in the format.
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Vocalist María Bas, born in 1967 in Ondara, and producer Mark Dasousa, born in 1975, have spent two decades together as partners in life and in music. They have immersed themselves in the Eurovision journey with a song meant to leave a lasting impression. The project signals a restructuring and empowerment that redefines a word long used to subjugate women. As Bas puts it, the history of Hypatia in Alexandria during 400 AD shows that the term had a negative bite, and she believes it is time to flip that narrative in the 21st century.
With this perspective, the term could shed its old stigma and become a rallying cry across Europe. Bas explains that the track offers a chance to reclaim the word and use it to empower rather than diminish.
On social media, fans quickly drew comparisons between this song and the anthem Catian Rigoberta Bandini released at the festival’s first edition. The earlier track, oh mom, became a digital sensation with hundreds of millions of views and resonated with many women who saw themselves in its lyrics. The Ondara lineup notes that it would be a privilege if the new song could stand as a feminist anthem against oppression. God bless Rigoberta is a sentiment echoed by the band and its supporters.
Intergenerational feminism
Unlike the previous piece, this new song speaks from a different generational vantage point that often remains underrepresented in feminist manifestos. The video combines eighties synths and retro visuals to craft an anti-aging message that invites women who have weathered machismo to join the conversation and lend their voices to the movement.
In the videoclip directed by Laia Lluch, mature female characters mirror the emotions described by Bas. Wearing a red dress and striking poses reminiscent of iconic divas, the video nods to the appearance of Catalan artist Manuela Trasobares on a now-defunct show years ago, a moment remembered for defending personal freedom and individuality.
Benidorm Fest 2024 welcomes a wide range of performers. The conversation around age brings a bold stance: age is not a barrier but a source of strength. The artists involved emphasize that being older should not limit opportunities or artistic ambitions. The participants will perform in the semi-finals on January 30 and February 1, with the final scheduled for Saturday, February 3. Wrinkles, they say, can signal resilience and character, and the group intends to demonstrate that age can empower rather than hinder.
That perspective resonates with a broader belief in the festival’s spirit: music can be a platform for social statements, and experience can amplify the impact of advocacy. The artists express pride in representing voices that often go unheard and in challenging stereotypes that many audiences have internalized. The coming performances promise to blend melody with a message, inviting viewers to rethink what empowerment looks like in today’s world.
The ensemble notes that their presence signals a celebration of longevity and the continuing evolution of feminist dialogue across generations. As the festival unfolds, audiences can expect a mix of bold staging and thoughtful storytelling that aligns with the artists’ commitment to equality and self-expression. The conversation surrounding age and gender is not just a theme for the stage; it is a living, breathing influence on the music and performances that grace the Benidorm Fest.