Anna Sedokova discusses fallout after leaving VIA Gra and pregnancy challenges
Anna Sedokova recently opened up on the NeDud podcast about the hurt she felt when she stepped away from VIA Gra, replacing Svetlana Loboda, and the way that moment echoed through her life. The singer spoke about the tension between expectation and reality as the group moved forward without her, a chapter that still colors her memories two decades later.
In her account, Sedokova recalled the producers’ assurances at the time. They promised patience and a future that could accommodate her, even as she waited and faced a new personal hurdle: pregnancy. She described a moment when, during the second month of her pregnancy, she watched television and saw a woman being celebrated as a member of the “Best Group” on MUZ-TV. The image, she said, brought a sting of irony because the award was being presented to Loboda, not to the version of the group that had welcomed the audience with a new sound and image. That scene became a symbol of the collision between the group’s evolving identity and the personal path Sedokova was navigating.
Sedokova explained that she reached out to producers and other team members seeking guidance after learning of her pregnancy. What followed was a mix of counsel, concern, and some troubling voices. She recalled that many urged her to end the pregnancy, a suggestion she faced with uncommon intensity for a public figure. The weight of such advice, paired with the pressures of a changing career, painted a complicated picture of choices in a highly visible industry.
As the years passed, Sedokova described a clear rupture between herself and the former VIA Gra collaborators. She said the relationships had not just faded; they had splintered in ways that made any frequent contact feel unlikely. The two sides had grown so distant that she no longer followed the group’s activities and did not keep track of their day-to-day lives. Her sentiment was one of respect for their continued success, yet a firm acknowledgment that their paths had diverged long ago. She framed the situation as a natural evolution rather than a conflict, underscoring the idea that people change and that some chapters close even when a previously shared dream remains in memory.
The discussion also touched on the broader dynamics of fame, group dynamics, and personal autonomy. The experience, as shared on NeDud, reflects a moment when a performer must balance public expectations with private decisions. The story resonates with many who have seen bands reform, members come and go, and careers pivot in response to new opportunities and life events. It also highlights how moments of public recognition can collide with personal timelines, shaping narratives that endure long after the applause fades.
Observers note that the tale fits within a wider pattern in the entertainment world, where alliances shift as artists pursue individual artistry, family life, or different career goals. Sedokova’s reflections offer a window into the emotional landscape accompanying major life changes while navigating a high-profile career. The interview stands as a candid reminder that careers in music are rarely linear and that the most memorable chapters often emerge from moments of discomfort or heartbreak, transformed into personal clarity and resilience. Attribution: discussion summarized from the NeDud podcast with remarks attributed by the artist herself.
Another point raised in the conversation concerns the long arc of public perception. Fans remember early successes, while newer audiences may focus on current projects. The tension between past affiliations and present identity is a common thread for performers who have spent years in the spotlight. Sedokova’s openness about pregnancy, professional choices, and evolving friendships within the music industry provides a nuanced look at how a star negotiates backward glances and forward momentum at the same time.