Andrey Malyshev Appointed Deputy Minister of Culture of the Russian Federation
Following the departure of Alla Manilova, Andrey Malyshev stepped into the role of Deputy Minister of Culture of the Russian Federation. The appointment aligns with an official order from Prime Minister Mikhail Mishustin and was reported by TASS citing the ministry’s press service. This transition marks a continuity of leadership within Russia’s cultural administration as the government reorganizes key posts to steer policy, funding, and program oversight for arts nationwide.
Malyshev brings extensive experience in Russia’s cultural sector to the deputy role. Between 2007 and 2015, he served as the General Director of the Federal State Budgetary Cultural Institution known as the Russian State Concert Company Sodruzhestvo, which in 2015 rebranded as Rosconcert. Under his leadership, the company expanded its repertoire, modernized touring operations, and strengthened collaborations with regional theatres and cultural venues across the country. In 2015, the organization’s evolution culminated in the reintroduction of the Rosconcert brand, signaling a renewed emphasis on large-scale concert programs and national cultural outreach.
From 2015 to 2018, Malyshev led the department responsible for state support of arts and folk arts within the Ministry of Culture. This period involved shaping policy instruments and funding mechanisms that support museums, theatres, and traditional crafts, while ensuring compliance with federal cultural strategies. In 2018, he returned to head Rosconcert FGBUK, a position that underscored his ongoing commitment to elevating Russia’s concert culture on both domestic and international stages. His tenure there was characterized by program development that sought to balance artistic innovation with the preservation of national cultural heritage.
The Deputy Minister holds a degree from the All-Russian State Institute of Cinematography named after S. A. Gerasimov (VGIK) and has earned a PhD in Economics. This educational background provides him with a solid foundation in both the creative economy and the financial management of public cultural institutions, enabling a data-informed approach to policy and program administration. His academic credentials complement his hands-on leadership experience in major cultural institutions, positioning him to contribute to strategic decisions on funding priorities, infrastructural upgrades, and cultural diplomacy initiatives.
Alla Manilova, the former Deputy Minister of Culture, stepped down from her post by her own decision. Her move led to Malyshev’s appointment as general director of the Russian Museum, reflecting a broader talent flow within the ministry and related cultural institutions. The transition for Manilova to the Russian Museum illustrates one pathway for senior leaders in Russian culture to apply expertise across national museums and government agencies, reinforcing the interconnected nature of policy, curatorship, and public programming. This reshuffling occurred amid ongoing efforts to modernize cultural governance, align resources with strategic priorities, and promote Russia’s cultural assets on international circuits. In public reporting, the changes were framed as part of broader administrative adjustments meant to sustain momentum in Russia’s cultural sector.
Overall, the career trajectory of Andrey Malyshev emphasizes a blend of executive leadership in concert management, policy development for arts funding, and administrative stewardship within Russia’s cultural landscape. His ongoing roles and past achievements illustrate how government leadership can influence the direction of national arts funding, institutional development, and the cultural life that resonates with both domestic audiences and international partners. The ongoing narrative of leadership within the Ministry of Culture signals continued emphasis on expanding access to the arts, supporting creative industries, and preserving Russia’s diverse cultural heritage for future generations.