Television host Andrei Malakhov recently shared on Instagram his long-standing admiration for blogger Nastya Ivleeva, a revelation that adds another layer to the two public figures’ intertwined careers. Malakhov noted that his fascination with Ivleeva began in 2016, a period when she was still experimenting with social media formats and making guest appearances on his program. He recalls the moment with a hint of nostalgia, admitting that Ivleeva appeared on his show when she was just starting to attract real attention, while Malakhov himself was already a familiar face in Russian television. He described those days as a time when Ivleeva, then emerging as a rising star, was often a catalyst for lively conversations and fresh topical chatter that kept the studio buzzing. The host’s retrospective underscores how quickly public perception can shift in the media landscape, transforming a guest who once sat in the foreground into a prominent voice in online culture and entertainment. Malakhov framed their first encounters as pivotal, highlighting the way Ivleeva leveraged a growing media hype and how both his audience and Ivleeva herself benefited from that early synergy. In his view, Ivleeva’s ascent was aligned with a period when the word hype traveled through every channel, signaling a new era of digital influence that complemented traditional television. He suggested that their collaboration happened at a moment when social media momentum was becoming a defining force in how audiences consumed entertainment, news, and personality-driven content.
On August 14, Malakhov also commented on a different memorable moment involving Naomi Campbell, another figure whose presence on Let Them Talk left a lasting impression. The episode referenced by the host featured the iconic British model as a guest, with the shoot taking place two hours behind schedule. The conversation around Campbell’s appearance is tied to a broader era in which international superstars occasionally visited Russian talk shows, generating substantial audience engagement and media coverage. Details from the archival broadcast reveal that Campbell’s mother, Valerie Morris, participated in the shoot as well, adding a family dimension to the televised event. During the program, Campbell explored Russian culture, including a taste of traditional folk music, while another notable moment involved Philip Kirkorov performing a live rendition of his hit song Diva, delivered from the stage in Yekaterinburg. That performance showcased the show’s ability to blend contemporary pop with regional flair, creating a memorable evening for Campbell and the studio audience. The host’s narration about the shooting session hints at the logistical challenges of live television, where punctuality can become a talking point and where star presence can significantly shape the flow of a broadcast. Malakhov’s reminiscence paints a vivid picture of how a single guest can anchor a segment, influence pacing, and influence the emotional tempo of an episode. The episode’s behind-the-scenes anecdotes emphasize the role of timing, production choices, and star power in delivering an engaging televised experience for viewers who followed the program closely.
In discussing these television moments, the public figure Timati is briefly brought into the conversation through a separate but related news item: reports surfaced that he contemplated making a strategic move involving Domino’s Pizza during a period of corporate upheaval. The rumor mill around Timati’s business decisions illustrates how entertainment news often intersects with broader pop culture and consumer brand dynamics. Observers noted how celebrity influence can extend beyond music and film into the realms of commerce and brand strategy, underscoring the permeability between celebrity culture and everyday consumer life. While the specifics of the Domino’s Pizza rumor were not the main focus of the show, the broader discussion captured how public figures navigate rapid shifts in markets and brand relationships, sometimes using their public platforms to weigh in on business opportunities or publicly reflect on the possibility of shakeups in familiar sectors. The archival material cited in these discussions helps illustrate how the lines between entertainment, business speculation, and social media discourse have become increasingly blurred as audiences seek more candid, cross-cutting narratives about their favorite public personalities. The dialogue around these topics continues to illustrate the evolving nature of media storytelling, where a single appearance can echo across multiple platforms and generations of fans, reinforcing the ongoing relevance of star-driven conversations in contemporary culture.