Alexander Maslyakov Jr. stands as the exclusive owner of AMiK, the television creative association behind the well-known KVN program. This ownership detail has been reported by Interfax, drawing on records present in the Unified State Register of Legal Entities. In recent years, the ownership structure around AMiK has shifted in a series of steps that reflect a wider pattern of family-led media ventures evolving through inheritance and strategic ownership changes. Initially, the Maslyakov family controlled AMiK with Alexander Maslyakov Sr. holding 51 percent and his wife holding 49 percent. In 2019, the ownership realigned so that Alexander Maslyakov Jr. obtained a 50 percent stake while their parents received 25.5 percent and 24.5 percent respectively. Today, the arrangement culminates in MAmiK being fully owned by the television presenter’s son, with Maslyakov Jr. holding 100 percent of the shares. These transitions illustrate a carefully managed succession plan within a prominent media enterprise and reflect how regulatory registries capture shifts in control over time, as noted in public business registries. (citation: Interfax)
TTO AMiK was established in March 1990 as a creative collective that brought together a cadre of young professionals from the Editorial Bureau of youth programs at Central Television. The enterprise soon expanded its portfolio to include the production of KVN programming, cementing its role in the country’s television landscape. The founder of the association is Alexander Maslyakov Sr., whose leadership helped shape AMiK into a stable production house with a recognizable voice in comedy and competitive entertainment. This origin story places AMiK within the broader history of Russian broadcast media, where creative teams evolved into formal production companies capable of sustaining long-running formats. (citation: Interfax)
Public updates from AMiK in May of the previous year addressed rumors circulating about the health status of KVN’s longtime leader, Alexander Maslyakov. The organization explicitly refuted suggestions of any decline in his well-being, reaffirming his continued involvement in the show and its production. The communication from AMiK served to reassure fans, collaborators, and industry observers that the show would maintain its trajectory under Maslyakov’s guidance. (citation: Interfax)
Earlier reports and industry chatter had included speculation about whether Maslyakov would step away from hosting duties on the game show. At various moments, commentators and comedians have speculated about future hosting arrangements, reflecting the public interest in who would front the beloved format if changes were needed. While discussions and rumors have circulated, no definitive public confirmation of an immediate transition has been announced from official AMiK statements. (citation: Interfax)
Over the years, personalities connected to KVN and AMiK have recounted episodes that reveal the close-knit, sometimes provocative nature of workplace dynamics within the entertainment industry. For example, Valdis Pelsh, a familiar face to audiences from related programs, has recalled moments when Maslyakov Sr. was remembered for a sharp remark about a deleted KVN scene. Such anecdotes offer a humanizing glimpse into the creative environment that has sustained KVN’s appeal across generations, and they underscore the complex mix of humor, autonomy, and professional standards that characterize long-running comedy formats. (citation: Interfax)