Alicantinos BOW, short for the Brotherhood of the Wolves, are reuniting to deliver a message that feels both raw and urgent. Their third album is on the horizon after the band’s prior release projects, including Warped Destinies and Garbage, and expectations are high as autumn approaches. The momentum around the group is propelled by a sense that courage and independence can still thrive in a world that often rewards conformity. This new material lands as a vocal statement from a band that has always valued authenticity and a fearless approach to rock music. Source: Band communications and fan reporting.
BOW sounds a clear call against routine and materialism in their new single I do not care, a rebel rock anthem that channels defiance through its blunt title and driving energy. The track features Vladimir Emin on letters and Tommy Lopez on production and guitar work. The lyric core centers on resisting monotony and consumerist pressures that press on everyday life. The chorus is framed as a rallying cry for freedom, a test to social norms, and a celebration of genuine self-expression. Source: Official single release notes.
This single arrived with a video clip released on the same day, amplifying the song’s message with striking imagery and kinetic editing that mirrors the track’s urgent rhythm. The visual sequence reinforces the idea that personal authenticity can cut through noise and distraction, inviting viewers to question what they accept as normal. Source: Music video press materials.
BOW’s third album is built with a wide array of collaborations that underscore the project’s international reach. Among the most notable contributors is the Argentine vocalist Diego Valdez, a veteran performer known for his work with groups such as Drean Child, Helker, Skiltron, Triddana, and Eydillion. Valdez brings a distinctive voice and a history of working with prominent artists, including Tarja Turunen, with whom he has connected on multiple high-profile projects. His involvement signals a blend of metal, hard rock, and operatic edge that fans have come to expect from this phase of BOW. Source: Album liner notes and interview coverage.
Marco May, who served as the vocalist on the first album and contributed to the earlier release Garbage of Twisted Destinies, appears in several songs on the new record and participates in a remix that broadens the album’s sonic palette. Raphael Castillo joins Valdez in the vocal lineup for a Finland-based collaboration, delivering a duet with Valdez that adds a cross-border flavor to the project. There is also a final track featuring Jani Holli from Finland contributing Hammond keyboards, while Rob Wolf provides guitar textures and other musicians join in for a robust, collaborative sound. Source: Studio notes and artist interviews.
In the core lineup of BOW, recurring collaborators come together to form the backbone of the music. Moses Cherry anchors the rhythm section with bass and choir contributions, Izzy Cueto handles guitar duties, Omar Martinez plays keyboards, and Tommy Lopez remains a driving force on drums and keyboards. This ensemble of players helps shape the album’s live-energy feel while allowing each guest musician to leave a distinct mark on the tracks. Source: Band roster updates and press briefings.