Acceleration (Slingshot), dir. Mikael Hofström
Where and when to watch: In cinemas from September 5
A science fiction psycho-thriller from Mikael Hofström, the mind behind 1408, follows an astronaut as he struggles to hold onto reality while his crew hurtles toward Titan on what may become an endless mission. The principal cast features Casey Affleck, Laurence Fishburne, and Emily Beecham, delivering tense performances that anchor a narrative about memory, perception, and the fragility of the human mind. The film layers psychological suspense with high-stakes space travel, inviting audiences to question what is real as the mission unfolds. Observers interested in space narratives and character-driven thrillers will find a gripping, thought-provoking experience in this release.
The White Ribbon (Das Weiße Band), dir. Michael Haneke
Where and when to watch: In cinemas from September 12
A renewed presentation of Michael Haneke’s parable set in a northern German village on the cusp of World War I. The film unfolds through a series of enigmatic acts that hint at buried guilt, social consequence, and the uncanny undercurrents of a tightly knit community. With a clinical, almost forensic attentiveness, Haneke dissects the roots of violence and conformity, inviting viewers to ponder how small acts can foreshadow larger societal upheaval. This is cinema that lingers, asking questions long after the credits roll.
Ginger, dir. Semyon Serzin
Where and when to watch: In cinemas from September 12
The biographical journey of the famed Yekaterinburg poet Boris Ryzhy is brought to life by Semyon Serzin, known for The Man from Podolsk. The film continues Serzin’s exploration of musicians in central roles, with Red portrayed by Evgeniy Alekhine, the singer from Night Loaders and Waste Paper. Through intimate storytelling and a lyrical approach, Ginger crafts a portrait of art, memory, and the resilience of the artist under pressure.
The Murderer’s Game, dir. JJ Perry
Where and when to watch: In cinemas from September 12
A kinetic action-comedy from former stuntman Jay Jay Perry. A hitman facing a terminal diagnosis enlists trusted colleagues to orchestrate his own demise, only to discover that the hospital has manipulated the photographic record. The story escalates as the protagonist confronts a wave of killers who are already in motion. The ensemble includes Dave Bautista, Sofia Boutella, Terry Teams, Pom Klementieff, and Ben Kingsley, delivering a blend of sharp humor and pulse-pounding action that keeps the audience guessing.
Greedy People, dir. Potsie Ponchiroli
Where and when to watch: In cinemas from September 12
A crime comedy tracing the misadventures of two cops who stumble into a deadly mix-up after an accidental killing of a homeowner. In their scramble to cover tracks, they stumble onto a buried stash and decide to take a few pieces of the prize. What follows is a twisted cat-and-mouse game as the investigation widens and their luck turns foul, revealing how greed can destabilize even the best intentions.
Paris, Texas (Paris, Texas), dir. Wim Wenders
Where and when to watch: In cinemas from September 19
A neo-western from Wim Wenders, reimagining the mystery of a missing man who reappears after a long absence. The film unfolds with sparse dialogue and sweeping imagery, inviting viewers to contemplate memory, longing, and the road to reconciliation. This cinematic voyage blends desert landscapes with intimate human drama, producing a story that feels both timeless and urgently modern. A must-see for fans of contemplative, character-driven cinema.
Article, dir. Coralie Farja
Where and when to watch: In cinemas from September 19
Body horror meets fame in a Cannes 2024 Screenplay winner. The plot follows a fading celebrity who experiments with an illegal drug promising temporary rejuvenation, only to confront horrific consequences. Starring Demi Moore, Margaret Qualley, and Dennis Quaid, the film probes the costs of renewed youth and the limits of power in the entertainment industry. A provocative meditation on aging, desire, and the price of staying relevant. (Source: Cannes 2024 jury notes)
Plague, dir. Dmitry Davydov
Where and when to watch: In cinemas from September 19
A drama that threads the lives of two single-parent families in a Yakut village, facing daily challenges and the absence of mothers for different reasons. The narrative builds slowly, focusing on resilience, connection, and the quiet toll of separation. The film uses intimate, grounded performances to explore what family means in a world that often feels frayed at the edges. Viewers seeking humane, dialogue-rich storytelling will find this film emotionally resonant. (Attribution: Davydov press materials)
Hellboy: The Crooked Man, dir. Brian Taylor
Where and when to watch: In cinemas from September 19
A new chapter in Mike Mignola’s Hellboy saga, directed by Brian Taylor and featuring Jack Kesy. Set in the 1950s, the story follows Hellboy and his partner as they uncover a haunted village in the Appalachians and face a dangerous demon known as Hunchback. The film blends folklore with comic-book energy, delivering dark action, stylized visuals, and room for the supernatural to intrude on the everyday world. A solid pick for fans of monster-lit cinema and gritty, mythic adventures.
The Count of Monte Cristo (Le comte de Monte-Cristo), dir. Alexandre de La Pateliere and Mathieu Delaporte
Where and when to watch: In cinemas from September 19
An ambitious adaptation of Alexandre Dumas’ novel about a sailor who exacts revenge after years of wrongful imprisonment. Pierre Ninot leads the cast as Edmond Dantes in a production that has drawn strong early notices for its lavish production design and faithful tone. The film examines justice, vengeance, and the burden of a hard-won freedom, inviting audiences to consider how time reshapes moral questions and personal destiny. (Review consensus: positive responses from early screenings)
Terrible, dir. Damien Leone
Where and when to watch: In cinemas from September 19
The first installment of a cult indie slasher series about a murderous clown who terrorizes on Halloween night. The film blends horror with dark humor and a relentless pace, delivering a memorable villain and a suspenseful, visceral experience for fans of the genre. (Audience advisory: intense violence and unsettling imagery)
His Three Daughters, dir. Azazel Jacobs
Where and when to watch: On Netflix from September 20
A family drama centered on three sisters who reunite to care for their ailing father. The ensemble—featuring Carrie Coon, Elizabeth Olsen, and Natasha Lyonne—paints a nuanced portrait of sisterhood, duty, and the delicate balance between personal needs and collective care. The film blends intimate performances with a compassionate look at aging, memory, and legacy. (Netflix platform note: availability may vary by region)
Django, dir. Sergio Corbucci
Where and when to watch: In cinemas from September 26
Sergio Corbucci’s landmark spaghetti western places a gunslinger and a prostitute in the heart of a violent clash between a supremacist faction and revolutionary forces. Franco Nero’s performance remains a touchstone in the genre, and the film’s stark, muscular staging continues to influence contemporary cowboy cinema. A must for Western enthusiasts and students of film history.
Life (Sterben), dir. Matthias Glasner
Where and when to watch: In cinemas from September 26
Berlin’s 2024 festival spotlight shines on this drama about a married couple facing terminal illness while their children grapple with their own struggles. The screenplay has earned recognition for its restraint, compassion, and unflinching close-ups on family dynamics. The film invites viewers to reflect on love, loss, and the boundaries of hope in the face of extinction. (Berlin Film Festival accolade: Best Screenplay 2024)
Lone Wolves (Wolves), dir. Jon Watts
Where and when to watch: On Apple TV+ from September 27
An action-comedy pairing George Clooney and Brad Pitt as two lone-wolf cleaners who must collaborate on a single high-stakes job. The film leans into witty banter, high-energy set pieces, and the humor that arises when rivals are forced to work together. A slick, entertaining ride for fans of star-powered ensemble adventures. (Streaming availability confirmed for North American regions)
Notes. Dates are stated according to Moscow time.