He describes his work as neo-baroque or neo-freedom, influenced by the architectural forms of Alvar Aalto and Erich Mendelsohn. He always moved away from rationalism, although he did not always work in architecture, as he passionately interfered with other disciplines such as furniture design, aviation, skiing, interior design, race cars and photography.
The versatile architect Carlo Mollino was born in Turin on May 6, 1905 and died suddenly in the same city on August 27, 1973. The son of Eugenio Mollino, a famous engineer and great intellectual of Renaissance knowledge, recognized the photograph as a valuable document. to demonstrate and document your work; For this reason, he established a laboratory at home that little Carlo entered, saw it as a means of expression in a short time, and used it consciously throughout his life as both an architect, an artist and a documentary filmmaker. or retouching images and creating photomontages with your own photos. Carlo Mollino is one of the most forgotten figures in modern architecture, perhaps due to his reputation as an enigmatic and insane, dangerous lover of heterosexual perversion. It’s been flagged by anything that stands for illegal lust and breaking the rules.
Charlotte and Da Vinci
His distinctive physical appearance, the small mustache that might remind him of Charlot in Charlie Chaplin’s creation, his shy and introverted appearance, concealed the talented, genius who had been compared to his fellow countryman Leonardo da Vinci.
It is referred to by the expression expressed in this text. Anything is allowed as long as it’s fantastic, which seemed to point to his style in the different areas where he showed up professionally. He started his career as an architect in 1930, designing a house in Forte dei Marmi (Italy) and was awarded the important G. Pistono award that started to consolidate his career. In the sixties he led the team of architects who designed the two buildings in Turin that made him most famous, the Chamber of Commerce and the Teatro Regio.
In June 2005, the famous Reale table made of oak and glass, designed by Carlo Mollino for the Orengo house in 1949, was sold at Christie’s in New York for an interesting amount: 3,824,000.
surreal alien
As a complex and multifaceted figure in the Italian art scene of the 20th century, he embodied the model of the Renaissance artist, building a personal and individual career outside of groups and movements. Influenced by Surrealism, in the thirties of the last century, he included classical elements such as Greco-Roman capitals and small busts in his works. He worked as a foreigner. A visionary who embraced the folds of the modern movement as the personal creation of a great transcendence never before seen in the worlds of architecture, design and art. On a trip to the Scandinavian countries in the 1940s, he approaches undulating and soft forms, purging them of Scandinavian organicity, but without departing from his personal aesthetic. Throughout his career, he has made extensive use of photography, which he sees as a highly modern medium with a tremendous future and resonance, thus devoting himself to the creation of photomontages. Although he never considered himself a true photographer or artist, in his work he delved into the medium in theory as well as in practice and technique, and in 1949 he published a book of enormous interest on the history and criticism of photography. , Il messaggio dalla Camera Oscura, in whose text he expresses his great love for the photographic image.
modernity and tradition
In a completely personal way, he used a style based on curved lines and an updated vision of craft techniques. The creations of his furniture are recognizable at a glance; Often unique, they are specially personalized pieces for the home owner, with excellent aesthetic perfection and impeccable ergonomics, combining their love of traditional style with modernity.
His father’s death plunged him into a deep personal crisis that kept him out of his creative world for more than five years.
He covered different disciplines where there were hot relationships of love and heartbreak. Indeed, his only love was architecture, photography and women. Photographs testify to this. From the 1930s until his death, Mollino used various residences in Turin, using the interiors he created in Casa Miller and Villa Zaira as sets and backdrops for his works. Bodies in an image of silhouettes inspired by Man Ray and the curves of Art Nouveau, inspired by the Dadaist movement, tending towards an elegant eroticism developed for time.
Polaroid
In the 1960s, he visited Turin’s nightclubs to interact with the dancers performing there and invited them to his studio, where he held photo sessions where they posed with dresses and dresses showing their incandescent sensuality in scenes Mollino had previously prepared. carefully selected accessories; Using polaroid cameras with which he modified his images, he meticulously retouched with extremely fine brush brushes, thus achieving the ideal of feminine forms, observing his own desire through the lens of his camera. No one knew about these sessions until his death, when a cache of over a thousand images was discovered, which the Damiani publishing house had perfectly published in a beautiful 228-page volume. A subtle lesson in eroticism, a fascinating portrait of a strange sensibility.
bisilite
A racing enthusiast designed the Nardi 750 Bisiluro car, which entered the 24-hour Le Mans in 1955, also known as the Double Torpedo for its expressive shapes and bright red colour. With the BMW engine, it was desired to achieve fuel savings of more than 210 km/h, which is really important for a 24-hour race. Mollino was hired by engineer Enrico Nardi, both designed to reach the same level of brands as Ferrari or Jaguar with this vehicle, its round shaped design, completely asymmetrical, a clear Bolidista image, a name yet to be invented. because this artistic movement was created years later, as we will see below. After a major restoration, today this car model has become one of the greatest symbols of the fifties of the 20th century. It is currently on public display at the Leonardo da Vinci National Museum of Science and Technology in Milan.
bolidism
It is considered the last artistic movement of the 20th century. Drink from the sources that reveal the genius of Carlo Mollino, even if it doesn’t seem to mean it that way in the History of Art and Architecture. Bolidism was founded in 1986 – thirteen years after Mollino’s death – in the city of Bologna by twenty architects who had just graduated from the Florence Faculty of Architecture. At the heart of Bolidista thinking are the concepts of communication, style and movement associated with the act of lightness, speed and multiplicity, which the Turin architect has already developed in most of his work.
Some important statements can be drawn from the Bolidista manifesto:
l Bolidista has masters, old or dead, and temporary and intense idols.
l Bolidista considers the future to be equivalent to the past as “not for now”.
l Bolidista sees history not as a Magistra viate, but as an exciting adventure.
l Bolidista theorizes and acts at the same time.
l Bolidista stands out on its own.
l Bolidista has only one purpose in life: to live.
With a distinct dynamism of form derived in part from futuristic influences and research on organic forms and references to 1930s architecture, Bolidism was considered the last word in Italian design in the late 1930s. eighty.
in absolute secrecy
Carlo Mollino is a key personality in architecture and modern art, his works appearing between representational language and abstract forms without giving up the utilitarian component or functionality and comfort inherent in his furniture creations. Today, her furniture is in the permanent collections of MoMA in New York and the Victoria & Albert Museum in London. His distance from any movement and his innate eclecticism lead him to explore all artistic expressions by interpreting them in his own language, and his works avoid being classified in the history of art and architecture. Full-time fetishist and great connoisseur of the secret traditions of his city. A fine example of esoteric fame, Turin was considered a seductive hook for sorcerers and sorcerers. One of the most extravagant and multifaceted personalities of the 20th century, Carlo Mollino, with his restless demeanor and the non-conformist essence of a revolutionary artist, his creations express a distinct charisma and great mystery, from the grand to the mysterious and esoteric. He devoted the last years of his life to realizing his vision of an extravagant residence, which is a kind of housing thesis, by renovating, in absolute secrecy, a large apartment that he bestowed like the Egyptian pharaohs, with all the comforts it had. What he might need in the afterlife, he decorates it as a possible afterlife residence, creating an atmosphere of perverse delicacy that may remind of a decadent and disturbing brothel on the walls with pictures of stuffed butterflies representing the souls of their eternal lovers. He loved, I hoped to find in eternity.
Carlo Mollino’s restless and multifaceted attitude is the non-conformist essence of an artist who is interested in life and everything related to art, women and photography, who wants to explore the deepest meaning of our age’s existence and take it beyond. . He died unexpectedly from a heart attack at the age of 68. He was completely alone, working in his father’s old studio, before finishing the decorative project of his ideal afterlife abode, separate from the real world.
More about Carlo Mollino at Hunterartmagazine.com
Source: Informacion
