The big moment that Angel Olsen talks about consists of extreme experiences, good or bad: The backdrop of Big Time is set by the successive deaths of his father and mother, just weeks apart, and the public disclosure of his homosexuality. made official with a post on Instagram of him posing smiling with partner Adele Beau Thibodeaux (“girlfriend, I’m gay!” announced this in April 2021). Along with that, he signed the title song of the album, full of enthusiastic lines: “I love you so much, I love you more”.
Taking over from last year’s adorable epé, Aisles (where Umberto Tozzi started misrepresenting commercial milestones like Gloria), So Big Time is the future translucent, with a sound processing that reflects grieving and falling in love, separation, and the constant movement in which the artist operates. projection. Angel Olsen’s merit is that all of her albums sound like her, whether they choose rock drought, folk roots, or art-pop sonority, and it’s followed by a songbook of tense ballads and spectral country remnants. -Co-produced with the esteemed Jonathan Wilson. Big Time, an album about soul cleansing and new beginnings, eschews the sonic lab treatment that appeared in All Mirrors (2019) as well as the antagonistic stripped-down style of Whole New Mess (2020) and is intimate yet at the same time All The Good Times Very detailed explanation from the beginning of . The theme that combines delicate balances with hints of soul and intonation, alluding to a country background. The root track becomes more prominent with the pedal steel, in the title track and death nearly gasping at How This Works: “I’ve never been too sad/sad to share”.
delicate balances
It’s an Angel Olsen of succinct liberating confessions (“I have to be myself/I won’t live another lie,” he warns, about a serious rhythm in Right Now) and enforcer, in short, refined song art. You must stop at Ghost On, sustained on a enchanted piano, and the two tracks that close the album. From past songs like Through The Fires to the classics like Endgame, it inherits the a la Tin Pan Alley, where “pain/blocking you from above” walking through flames. supernatural, Chasing The Sun rounds off the repertoire with a serene scene of magic and satisfaction. Olsen bears fruit by ‘away from the blues’, savoring the wonderful moment and completing the journey of a delicious music album from the soul, whether we say pop, rock or folk in the most universal sense.
Source: Informacion
