People’s Artist of Russia Tatyana Vladimirova passed away at the age of 73. death reported Web site Theater Et Cetera, where he worked for 30 years.
“For thirty years she worked in the Et Cetera theater, playing a nanny in the first performance of the theater Uncle Vanya – she skillfully, effortlessly “aged”, creating the image of an old man with his lonely wisdom and kindness, the correct national character. And in every new performance he had a role, and it did not matter at all whether it was an episodic role or the main one, all his work was performed amazingly. Tatyana Vladimirova can play absolutely anything,” the message reads.
The theater staff regrets the departure of the artist, since there are very few actresses like Vladimirova, and “with her departure there are even fewer.” They say that they cannot imagine the theater without her, especially the play “Fires”, where Vladimirova played the extraordinary role of Nahual.
“Tatiana Vladimirova was loved by the audience, directors wanted to work with her, we all loved her infinitely. There is great pain in our theater, we lost an incredibly talented actor and a very loved person. He was the center of attraction for all of us; wise, tactful, easy to communicate with, cheerful and never discouraged. How difficult it will be for us to live without him,” the theater press service added.
He sat on Stalin’s lap
Tatyana Vladimirova was born on August 29, 1950. His mother was a signalman and his father was a military man, so he sometimes went on business trips with his family. Vladimirova spent her childhood in Moscow. He didn’t go to kindergarten; nannies and grandparents looked after her.
“I lived on the third floor, and Svetlana Alliluyeva lived on the fourth floor. [дочь Иосифа Сталина]. I am with Katya and Yosik in my childhood. Therefore, I have a story that when I was three years old I sat on the lap of Joseph Vissarionovich Stalin, but I think I came up with it myself,” Vladimirova said in an interview with Zhenya Tokarev. Youtube channel.
Vladimirova hated the house in which she spent her childhood. She believed this was why he disliked the capital so much:
“I never liked Moscow. “There was almost no city I didn’t want to stay in.”
He graduated from the Moscow Art Theater School in 1973 and started looking for a job, but no one would hire him because of his alleged long nose and short legs. Then Vladimirova’s classmate offered her a job in a puppet theater. The player liked his position.
“When the baby starts to obey you, it speaks with your voice and you look at yourself from the outside. <…> It was happiness,” said Vladimirova.
The actress fell in love with director Felix Grigoryan and followed him to Tomsk, where he was appointed chief director of the local drama theater. They returned to Moscow nine years later, but Vladimirova again could not find a job anywhere. Then an acquaintance of her husband offered her a job in Arkhangelsk. The actor loves the north very much, so he moved there for two years, and during this time Grigoryan was in Moscow. Then the director was offered a place in Omsk, where they would move with the whole family. Soon Vladimirova learned that her husband had a mistress, and she took her son and flew to Moscow. He got a job at She et Cetera and spent the rest of his life in this theater.
He unexpectedly landed one of his last roles on the big screen. Director Vladimir Mirzoev invited Vladimirova to audition, although they did not know each other and had never worked together. Despite the tight schedule, the actor managed to get a role in the TV series “Bataklık”.
“He wanted me to scream in a bad voice. I thought: “My God, what happiness! Of course, he won’t take me, but I’m happy to meet him.” And then it started. Since we released “Be”, I realized that I couldn’t and I was already at Katya’s house. [режиссер Екатерина Гранитова] I’m on my knees because I have to go to Minsk, I’m in hysterics, and then the epidemic: postponed, postponed and hello. But still, after finishing it two days before the premiere, I was shooting for the last two days,” said Vladimirova.
The actress is remembered for her roles as Nanny Marina in Uncle Vanya, Agafya Tikhonovna in Marriage, Katerina in The Tempest, Ranevskaya in The Cherry Orchard, and Katrin in Mother Courage. On the big screen, audiences fell in love with Vladimirova with her roles as Natalya Dmitrieva in Sklifosovsky and Baba Nyura in Swamp.