Alicante ARNICCHES THEATER
*½
Dramaturgy and direction: Roberto Hoyo. Company: Leamok
They want to represent Generation Y and Generation Z. Young people growing up at the dawn of the digital and hyperconnected society. The Internet, the city and Japanese culture are brought together in “Hanle” by the Valencian company Leamok, founded in 2019, a theoretical attempt to make a free version of Shakespeare’s classic work. “Hamlet.”
One of the two players warns that if anyone was expecting to see something like this, it’s obvious. And he’s right. Because any resemblance to Shakespeare’s tragedy is purely coincidental. A. bravery Almost zero to be exact. Of course, little glimpses of “to be or not to be” and existential doubt emerge in the face of crime, revenge, and death.
Adapting to current reality with some trap music? That shameless subgenre, or a cry of complaint close to the world of drugs and violence. They ask us a few things Arniches de Alicante program. Is the enormous amount of self-help available on the computer network helpful or harmful? Are we happier now? How much power do social networks have over us? Please answer about such dependencies.
The landscape suggestion (even if said) has nothing to do with the topic. literary and theatrical possibilities of your original work. The most symbolic work in the history of theater, open to endless interpretation. But the situation is not far from that dramaturgy and directed by Roberto Hoyo, one of the actors along with L. Carlos Gómez.
Within the circumstances described, they contribute grains of sand to a somewhat condescending and deliberately arrogant and tacky cause that apparently appeals to the youngest. The duo display a pair of katana and samurai swords as symbols of authority and power, bringing popular strategy video games to light. Destroy and secure assassins As darkness marches towards victory.
human ordinariness It thrives in the midst of artificiality and mediocrity. And the alternative is not to escape theatre, but to defend it.