They shared a schedule with Tame Impala and Cigarettes After Sex and performed on the secret Ouigo stage, so it was a quarter of an hour before the show started that the band members Fear of “a slap” during the Carolinas, as singer Diego Ibáñez admits. Nothing else. The Madrid quartet’s first visit to Primavera Sound ended in a resounding victory by KO, thanks to an overwhelming directive (“we’re not bad / we sound better than yesterday”, they don’t lie), a repertoire so march after another and the complicit folkFrom the moment the four boys took the stage, they devoted themselves to the Beastie Boys’ ‘Sabotage’ sounds.
Natural heirs to Los Nikis (and that’s a big compliment), Carolina Durante has an authentic arsenal of choirs, turning each of their concerts into frenzied karaoke fueled by the physical performance of Ibáñez, a charismatic ‘soloist’ whose stage routines differ . between punk debauchery (the man finally started pogosing in the audience) and a ‘Richard III’ performance with his twisted gestures.
‘Aaaaaaa#$!&’ (to start in steam roller mode), ‘Farm school’, ’10’, ‘Urbanitas’, ‘Famous in three streets’, ‘Graveyard’, ‘Juanita’s songs’ , ‘Joder’, among others , I don’t know’, ‘Blank space’ (with the presence of Santiago Barrionuevo from El Mató a Un Policia Motorizado), ‘Perdona’ (without Amaia), and, turn off apotheosis mode‘Night of the Living Dead’. The only accusation one would dare to make is that they continue to cling to their first hit, ‘Cayetano’, in the context of a festival that seems to have embraced Ayusismo without hesitation, this song is in danger of sounding more vague. rather than being sarcastic.
Even if, no palliative victory. Your new favorite group.