HE Asturian creator Javier Ideami He returned from Cannes with (Oviedo, 1973). Under-arm award for best experimental film of the French Riviera Film Festival It takes place within the framework of the Gallic competition. The work has already been awarded prizes elsewhere, but Ideami explains to this newspaper, “The award is important because of the context and relevance of the events that took place during the Cannes competition.”
The work of Ideami working between Barcelona and Asturias – “My house that I love madly” – Name ‘Totem’ And made its premiere at the opening of the 2022 Venice Art Biennale. According to Ideami (“My Idea”, backwards, stage name of Francisco Javier Gonzalez Bernardo), “is an artistic interpretation of a large-scale sculptural work of the same name created by Hong Kong multidisciplinary artist Wallace Chan by the great British exhibition curator James Putnam. It was also inspired by a conceptual interpretation of Chan’s sculptures written by me. All of this was translated by me into a script and an audio-visual narrative to create the final artistic interpretation.”
The study continues: “Iron and titanium are used to represent the earthly and the spiritual, respectively. The peaceful faces made of titanium also represent mother earth. The interaction of iron with titanium represents how certain activities of Mankind can interfere with us to Mother Earth. This results in fragmentation and separation from the delicate balance that binds it. This construction site consider the search journey towards a better balance in this context“Let’s go back to better integration of the different parts that make up these complex relationships while keeping the rich dynamics that maintain that balance very alive.” A large part of the script, the entire visual and computational part, as well as a soundtrack”.
He describes himself as “a combination of a creative director, a multidisciplinary artist, a computer engineer and an artificial intelligence expert”. and technology (computer applications), creative, artificial intelligence projects, augmented reality, virtual reality…) and often in combinations of all these fields and many other fields”.and exhibited at festivals and galleries around the worldIncluding three entries at the Venice Biennale, two in architecture and one in art.
Protect creators
idea Worked in Silicon Valley for 6 yearsCalifornia, the cradle of technological entrepreneurship, has produced artifacts and artifacts for several years in England and on many continents from Indonesia to Egypt. He also gives many speeches as an expert on artificial intelligence and creativity. His latest project is the production of “Hamelin 77”, “one of the first films to address the topic of ‘rapid engineering’”, guiding artificial intelligence using rapid engineering, human language (ChatGPT, Midjourney and the like). various productive artificial intelligence techniques in production.”
Last year, Ideami and some of its friends also launched “Geniverse”, one of the world’s first productive artificial intelligence platforms.
As an AI specialist, he “believes it should be organized. One hundred percent. AI has the potential to automate all those repetitive and cumbersome tasks we don’t like, leaving us more time for the things we enjoy.” most of them create, communicate, accompany, explore… But it is evolving so fast that it can cause dramatic disruptions in job markets and can be used to manipulate any scenario. Also, the creation of autonomous AIs, which is already beginning, could lead to existential dangers for humanity. That’s why we need the regulation of artificial intelligence. But it needs to be edited wisely without hindering beginners or the Open Source movement. And I don’t think the first draft of a European law at the moment is the regulation of artificial intelligence appropriate because it could cause Europe to lag behind the rest of the world and hurt small companies, especially start-ups”. Therefore, “we need urgent, but smart and flexible regulation” . For this, Europe and the United States and the rest of the planet should hold an international conference to agree on aspects of such arrangements. American resilience For example, both poles cross the line frequently, one extreme and the other by default. We need an international global agreement“.
Primordial: “Human creators must be protected. To do this We need initiatives that make it possible to detect whether a work has been created with artificial intelligence.. We already have such projects as CAI, Content Authenticity Initiative, which unites companies and startups globally. Compensation is also crucial to creators whose work is used to train these AI systems. There are already moves in that direction.”
separate category
Until creative AI is fully integrated into society, “until the creative AI is like an ‘IronMan’ costume that provides superpowers and isn’t used by everyone, it’s vital to categorize it in competitions and similar events.” it will be fair. for people who use it to compete with those who don’t. All this will gradually normalize and integrate over time, and then the situation will be different. Deep fakes will be more and more. We will see a war between those created by artificial intelligence. counterfeits and tools to detect such imitations have also been created with artificial intelligence. This is another reason why AI regulation is such a pressing issue.“.
It is a kind of universal law that the density and concentration of people leads to greater dynamism and innovation, and in Asturias we are faced with the challenge of having fewer people, exchanges, movement of ideas and populations than others. I think it is necessary to encourage programs of exchange, connection and cooperation with other regions, countries, cities and projects”.