“I was made for love, I was born that way and I can’t help it; men surround me like moths around a flame and it’s not my fault,” she said. marlene dietrich In ‘The Blue Angel’ (1930), the movie that made him jump from Berlin to Hollywood and Ialmost always become a sexual icon with a half-open lookIt is typical of those who do not have doubts or worries because they have everything under control. But she was much more than a prototypical femme fatale.. Thanks to his connections with the sheer cabaret world of the Weimar Republic, and his later opposition to Nazism, as well as his experiments with self-image, he was an emblem of freedom for his time, and indeed subversive to him. all times. Last Friday, it’s been 30 years since his death.
As an example of this attitude, serve as one of the actress’s most famous phrases: “Deep down, I’m a gentleman.” Dietrich she was so aggressive that she even hated feminists of the time when she said she was “penis envious”.. And he transformed the clothes that were reserved for men until then, into fashion for women; In a scene from the first Hollywood movie, Morocco (1930), he kissed another woman while wearing a tuxedo and was often photographed wearing a suit and tie.
to the creation of your ‘look’It is true that director Josef Von Sternberg, whom he sometimes describes as “my master” and “the man who created me”, contributed in particular; He was the one who took her to the United States with the aim of transforming her into the new Greta Garbo, and as soon as he got her there, she helped him get over the typical Germanic lust in each one a little stronger. Here are six feature films they made together in Hollywood. The transformation is particularly irrefutable proof. ‘The Devil is a Woman’ (1935), the film that the actress considered her masterpiece and is portrayed as a true destroyer of men, already stripped of his past propensity for seductive desire and romantic frivolity.
Marlene Dietrich maintained intimate relationships consistently and without gender discrimination at a time when bisexuality was punished without extenuating circumstances. valentine’s list It includes Tallulah Bankhead, Gary Cooper, Mercedes de Acosta, Orson Welles, Edith Piaff, Kirk Douglas, Marion Barbara and John Wayne; When Austro-Swiss actor and director Maximilian Schell asked him about his love affairs with other women during the filming of the amazing documentary ‘Marlene’ (1984), he simply replied: “Oh, you know, sometimes a man and then a woman lays on top of her and it’s meant to be because it works the same way when there are two women”.
In every situation, she never divorced her translator husband, assistant director Rudolf SieberIn the 1930s, it was the woman who insisted that she flee Europe with her daughter Maria. American citizenship.
escaped from Goebbels
Dietrich was always an enemy of the Nazis and was critical of the anti-Jewish policies of the time.. Joseph Goebbels, Minister of Public Disclosure and Propaganda in the Third Reich between 1933 and 1945, once tried in every way to persuade him to return to his country and be crowned Hitler’s muse, but to no avail; his answer It was to raise funds to help Jews and dissidents escape from Germany., and even record a few albums with anti-Nazi themes in German. When Goebbels realized that there was no way to win him back to his cause, he censored his films and made him a nuisance in the eyes of the Germans. When he returned to Germany in 1960, he was booed by the public and was made an honorary citizen of Berlin until 2002.
By then, it had been 10 years since his death, and almost thirty years since he had decided to quit acting due to fractures left by a broken thigh bone. addiction to alcohol and barbiturates and, above all, the problems of accepting the marks it left on it over time. In this sense, it is useful to remember that although Dietrich was born and raised. 1901always appeared in his passport 1905 as the official date of birth; Despite what this almost always half-open and seemingly lethargic look might suggest, at least something was out of his control.
However, her fear of aging has proven unfounded, as her figure continues to serve as a female figure at a time when the treatment of women in Hollywood and the fluidity of gender identities are at the center of public debate. pioneering example of the fight against both patriarchal prejudice and sexual and moral taboos in the film industry.
Source: Informacion
