The good, the ugly and the bad

posy simmonds He is an old acquaintance of the Spanish reader. We discovered it twenty years ago Gemma Bovey, a masterpiece first published in installments in the press. It was surprising for its distinctive format and clever and heavy use of texts. One of Simmonds’ traits is her typographical saturation, an area where her designer husband gets help. Richard Hollis. His second work, translated here, Tamara DrewHe showed his talent once again and was adapted into a movie. Stephen Frears in 2010. It was finally published in 2020. Cassandra Darkecrowning him as the world’s best comic book creator. ruru fashion following him closely. His work is literary sophistication and clever, and his illustrations are part of a long tradition of press humorists., but it also has ramifications in the world of children’s editorial illustration, where he regularly travels. Some of his influences are recognized and at the same time verified that he assimilated them and distilled them into a light and unhindered graphic design, jumping from pencil to ink without blinking and reaching its maximum expression in the characterization of its characters. always innumerable troops number of characters.

Their stories are set in the world of upper middle class intellectuals. Upscale folks who cite the classics or want their first book published before it’s too late. His last job doesn’t take him away from these universes. On the contrary, he praises them. There is a mockery of secretive respect for these constellations of writers, agents, publishers, readers, and booksellers. They all hate and love each other in equal measure, and the same seems to happen to the privileged observer. On the one hand, he heartily laughs at the ambitious writer who complains about the drawbacks of fame, but then shows us how obsessive the creative process can be. As in the sequence in which an author is barely aware of his surroundings until he finds out how to untie this knot in the plot that resists him, right in bed.

So, Posy knows and lives those worlds, she knows very well what it means to close an argument, to intertwine all the passages. However he is also able to maintain an objective distance that allows him to criticize the exaggerations and fake dramas of his fellow writers. In this sense literary world enjoyed it without hesitation. Because we see the respect behind all jokes. Those little bookstores who curse big multinationals and then go to them for discounted books, those production assistants who are always sexy and young, writers who pay attention to what other people think of them… Special mention for Derek, the funny doctor, and his nurse. Drawn in the traditional romantic comic style with seductive lines, special agent Rick Raker solves the cases of desperate writers or deals with the most complex creators.

Contrary to his previous work, here is not a complete and closed graphic novel, but one-page jokes of literature that are only connected to the theme, taking place in close atmospheres. Posy had adopted the short story formula in his earlier works, which unfortunately were not translated. The great news that they are now encouraged to bet on this business. Don’t miss it because you will have a lot of fun.

I don’t want to forget this part of “The Good” Laura Zuckeri. An outstanding cartoonist that we discovered in him. Julia and now signing one of its parts Ken ParkerWith Pasquale Frisenda. change milazzo It was not an easy task and they turned out very well. An author to follow.

Go ahead, included Clutch definitely in the “ugly” section for narrative reasons. I don’t know what the author looks like, nor do I like his proposal aesthetically. It is the classic “modern” product with good reviews on the most outstanding cenacles. It comes shrink-wrapped, so it’s impossible to look inside without loosening the fly first. Anyway, we know how it will smell before we open it. That characteristic intoxicating aroma of plain ink on thicker paper than ever before, the flow of authentic “landed” comics is always closer to screen printing than ordinary. make it up. Visually, the product plays with a range of reduced and saturated hues with plenty of pinks but basically revolving around the primary yellow-red-blue. when it comes to drawing Tulip Westvind “I did it, it’s okay” attitude with the arrogance of bad cartoonists. It is a relatively common thing, and on more than one occasion it can cause great joy in the reader when there is a narrator with something to tell behind this certainty.

It’s described here on the cover of “one of the best comics of the 21st century.” And something smaller is “the story of superpowers, a tribute to all women willing to change the world with their hands.” Gerardo Vilches the volume closes with a clever afterword and is presided over by a lengthy conversational title with the author. matriarchal electrical shamanism. All this does not surprise us, because, as I said, the work lands in a place accompanied by a series of praises and reflections on female empowerment in short stories. Not that I expected to meet the new Wonder Woman while reading, but I would settle for something minimally understandable. I repeat, this is not an aesthetic problem, I tolerate drawing perfectly, I can even enjoy some graphic delusions. What makes me sick is the complete lack of interest in narrative, which is replaced by a barrage of incomprehensible visual metaphors.It’s like someone gave Kirby some acid and asked him to draw at the Big Bar. The hero moves from page to page, moves his hands a lot and everything happens. Everything is plastic, elastic, shiny and very cool. However, as is often the case with such visual offerings, it absolutely lacks rhythm. Therefore, on page ten, where we engage in some magical-telluric manifestation, we cannot avoid yawning. And this thing doesn’t get better, it just prolongs sadistically until it’s exhausted.

Has something reminiscent of bristles S. Clay Wilson. The famous underground creator filled its pages with characters performing what are often called “indescribable acts.” The deification of lust and violence that would scandalize many graduates today was amused in a page or two. If it took longer, it was a pestiño. This Clutch It has 170 pages, calculate how overwhelming it can be. My advice is? If you want to see what a truly empowered woman looks like, re-read poor George Perez’s Wonder Woman.. They will enjoy it.

At this point it is very difficult for anyone to object. Christa Faust The title of “official bad girl of the comic book world”. In your previous job, bad mom, made us look at it, which confirms its qualities and the solidity of its narrative proposition. come back with Deodato Jr. a creator who can be somewhat rigid, but provides atmospheres that are well suited to Faust’s scenarios with his photographic-based aesthetic. Anyone who follows the author’s tweets will see this. Their tastes are strong, rough and clear, preferring the most dishonest dough worlds, spicy novels and universes where men are too men and women too many women. To prove it, just read this penanceTwo very hardcore lesbians star in a scene that will please Crazy Max. A sort of very vagrant frontier place where the moral codes of most classical westerners continue to prevail.

The script wasn’t intended to be super innovative nonsense. Rather, it fits into an archetypal narrative with a premise. alone in the face of danger anyone Shane. Swearing not to get in any more trouble, must this hero break his word and go against the omnipotent villain at the cost of his life? Much of the second act is devoted to another well-known issue, such as the applicant’s education, the daughter seeking a mentor who would allow her to help her mother. In this case, the mentor who did not want to be was the mother’s lover, with whom everything was loaded with emotional and emotional intensity, very wise.

The hero is very similar to the Terminator and we know from the first episode what his reaction will be. But none of this matters. We enjoy the protagonist’s doubts and resignation to follow the hero’s / heroine’s path. Absolutely because we know he’s going to change his mind eventually. Faust manages to make situations we’re tired of seeing fresh and fun, He describes his characters very well and does not waste time with nonsense. In Deodato, he finds the ideal partner who, thanks to his contrasting graphics, brings truth and dramatic depth to the plot. Don’t be fooled by the traditional side of Faust’s writings. What it does is sophisticated and clever, but it delivers it in a popular package like an action movie. It’s a deeper, really complex job than all of that. Don’t kidnap.

Source: Informacion

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